Hannah Wilke

SPONTANEITY. From the Gift Science Archive guiding lights.

Really, one could just suggest that you return to PERFORMALIST SELF PORTRAITURE, but where is the fun in that? Wilke’s work with her body, with her image and with her words is a touchstone for Sands. Here are some highlights – some of her words and some of the words that she has inspired in Sands... “Exposing the truth is like nudity.” (a quote from Wilke often recited by SMW)

“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” (SMW quote in reflection note for archive #00180-2009-PSP-BigPumpkinSeries-079)

“...like Hannah Wilke, which I thought was so beautiful, she was wearing high heels, high heels and nothing else. So, she was all naked, but she had those high heels on, and she said, ‘These are my plinths.’ So suddenly she was a sculpture, in those high heels…” (SMW in META-ARCHIVE conversation with ROBIN Wassink-Murray and Radna Rumping, 24 July 2020)

“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” (SMW quote in reflection note for archive #00068-1993/1995-C-SignatureCollage-047) – MH.



Image of Studio object

  • Catalog No.
  • 00327-2000-PsW2000-IHad
  • Title
  • I Had
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker and pen on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 00352-2000-PsW2000-ILOVEHANNAH
  • Title
  • I LOVE HANNAH
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

Rijksakademie Internal Open Studios – 07.09.20. “Hannah, Adrian and Carolee are the ones watching us as we speak. Courage from Carolee, spontaneity from Hannah, and rigorousness from Adrian.” – SMW.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01402-2020-MaPi-HorseCloud-006
  • Title
  • Horse Cloud
  • Dimensions
  • Variable
  • Materials
  • 14 phone snapshots
  • Object Location
  • Digital

  • Technical Notes

Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.

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Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01561-2019-DoP-UpToAndIncludingHisLimits08
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

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Image of Studio object

  • Catalog No.
  • 00025-1993/1995-C-SignatureCollage-004
  • Title
  • Signature Collage
  • Dimensions
  • 21 x 29.5
  • Materials
  • Photocopy and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Wilke’s vaginal gum sculptures. You die, the value goes sky high. Assertion of myself over a painful past, Wilke to melt with her. Can I see myself in relation to her and what she does?” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 02381-2019-FwPP-Carolee+Sands
  • Title
  • Carolee + Sands Magic Hair Pyramid & Working 2000 x 3
  • Dimensions
  • Variable
  • Materials
  • Construction in hand-carved, hand-gilded frame (triangle) and three framed signed works (rectangles) of photo collages printed from slides
  • Object Location
  • Physical

  • Technical Notes

“Above: Carolee had a knot in her hair. We were in her hotel room in Frankfurt where we met for her retrospective in 2017. She asked me if I could help to comb her hair and untangle the knot, and she insisted that Robin photograph it as a performance. Below: In 2000 in the first house that Robin and I shared together in Amsterdam, which was 19 square meters, I was on the phone arranging a purchase from Ronald Feldman Gallery of ‘Handle with Care,’ a work by Hannah Wilke. As Robin often does, he documented the action as a work.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00068-1993/1995-C-SignatureCollage-047
  • Title
  • Signature Collage
  • Dimensions
  • 29.5 x 21
  • Materials
  • Photocopy and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” – SMW.

Close


Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00180-2009-PSP-BigPumpkinSeries-079
  • Title
  • Big Pumpkin Series
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Moen Island, Denmark at Frederikke Hansen’s former house.


  • Reflection Notes

“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” – SMW.

Close


Image of Studio object

Photographer: Adela Demetja

  • Catalog No.
  • 00677-2007/08-PSP-AboveAverageLooking-049
  • Title
  • ABOVE AVERAGE LOOKING/ACCESSIBLE LIVES (SOMATOPOWER)
  • Dimensions
  • Variable
  • Materials
  • Digital files
  • Object Location
  • Digital

  • Technical Notes

Location: Munich.


  • Reflection Notes

“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01172-1995-PSP-IdentityShots-003
  • Title
  • Identity Shots: Before Robin, After Hannah Wilke
  • Dimensions
  • 20 x 30
  • Materials
  • Black and white photo print
  • Object Location
  • Physical

  • Technical Notes

Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.

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Image of Studio object

  • Catalog No.
  • 00723-2010-DoP-MindBodyLandscape-043
  • Title
  • MindBodyLandscape – 14 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

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Listings connecting to the keyword “Hannah Wilke” (608)



Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01568-2019-DoP-UpToAndIncludingHisLimits15
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Close



Image of Studio object

Photographer: Charlott Markus

  • Catalog No.
  • 01600-2021-DoE-InGoodCompany31
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Digital image files
  • Object Location
  • Digital

  • Technical Notes

SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Charlott Markus

  • Catalog No.
  • 01632-2021-DoE-InGoodCompany63
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Digital image files
  • Object Location
  • Digital

  • Technical Notes

SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Huib Haye van der Werf

  • Catalog No.
  • 01666-2021-DoP-InGoodCompany02
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Digital registration of live action
  • Object Location
  • Digital

  • Technical Notes

Virtual opening of SMW solo exhibition at mistral, Amsterdam (2021); video streamed on Instagram live. The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

  • Catalog No.
  • 00015-2010-TwRp-LoveIsTimeless
  • Title
  • Love is Timeless
  • Dimensions
  • 150 x 70
  • Materials
  • Acrylic on paper
  • Object Location
  • Physical

  • Reflection Notes

SMW & AC inventorying session – 08.10.20. “Maybe it doesn’t take 20 years to understand the work, as Pina Montano says, but even to face the work.” – SMW. “I’m making an executive decision that the archive will have inconsistencies.” – SMW. “How do you look at work that you made 20 years ago and don’t like or feel comfortable with? – AC. “Or relate to […] I don’t see the point in destroying things. They had a function.” – SMW. “It took me 10 years to make, my whole teenage years (‘I’m Proud of Myself’ sculpture), and I didn’t know I was making it. I was living. The accumulation is something I appreciate.” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00123-2009-PSP-BigPumpkinSeries-022
  • Title
  • Big Pumpkin Series
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Moen Island, Denmark at Frederikke Hansen’s former house.


  • Reflection Notes

“Metaphorically when you turn your back it means you are hiding something. Maybe. Perhaps…” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00155-2009-PSP-BigPumpkinSeries-054
  • Title
  • Big Pumpkin Series
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Moen Island, Denmark at Frederikke Hansen’s former house.

Close



Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00187-2009-PSP-BigPumpkinSeries-086
  • Title
  • Big Pumpkin Series
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Moen Island, Denmark at Frederikke Hansen’s former house.


  • Reflection Notes

“That’s the greatest thing about nature, is that you can’t separate anything from anything else. Trees depend on soil and sky and water and pumpkins and flowers depend on all this and each other. I am not above nature like Friedrich, I am not overseeing anything, I want to subsume myself in everything around me.” – SMW.

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Image of Studio object

Photographer: Adela Demetja

  • Catalog No.
  • 00650-2007/08-PSP-AboveAverageLooking-021
  • Title
  • ABOVE AVERAGE LOOKING/ACCESSIBLE LIVES (SOMATOPOWER)
  • Dimensions
  • Variable
  • Materials
  • Digital files
  • Object Location
  • Digital

  • Technical Notes

Location: Munich.


  • Reflection Notes

“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 00682-2010-DoP-MindBodyLandscape-002
  • Title
  • MindBodyLandscape – 14 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

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Image of Studio object

  • Catalog No.
  • 00714-2010-DoP-MindBodyLandscape-034
  • Title
  • MindBodyLandscape – 14 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

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Image of Studio object

  • Catalog No.
  • 00746-2010-DoP-MindBodyLandscape-066
  • Title
  • MindBodyLandscape – 14 September session
  • Dimensions
  • Variable
  • Materials
  • Vdariable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

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Image of Studio object

  • Catalog No.
  • 00778-2010-DoP-MindBodyLandscape-098
  • Title
  • MindBodyLandscape – 15 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

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Image of Studio object

  • Catalog No.
  • 00810-2010-DoP-MindBodyLandscape-130
  • Title
  • MindBodyLandscape – 16 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

Close



Image of Studio object

  • Catalog No.
  • 00842-2010-DoP-MindBodyLandscape-162
  • Title
  • MindBodyLandscape – 17 September session
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.

Close