SPONTANEITY. From the Gift Science Archive guiding lights.
Really, one could just suggest that you return to PERFORMALIST SELF PORTRAITURE, but where is the fun in that? Wilke’s work with her body, with her image and with her words is a touchstone for Sands. Here are some highlights – some of her words and some of the words that she has inspired in Sands...
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“Exposing the truth is like nudity.” (a quote from Wilke often recited by SMW)
“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” (SMW quote in reflection note for archive #00180-2009-PSP-BigPumpkinSeries-079)
“...like Hannah Wilke, which I thought was so beautiful, she was wearing high heels, high heels and nothing else. So, she was all naked, but she had those high heels on, and she said, ‘These are my plinths.’ So suddenly she was a sculpture, in those high heels…” (SMW in META-ARCHIVE conversation with ROBIN Wassink-Murray and Radna Rumping, 24 July 2020)
“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” (SMW quote in reflection note for archive #00068-1993/1995-C-SignatureCollage-047) – MH.
Image of Studio object
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Image of Studio object
Rijksakademie Internal Open Studios – 07.09.20. “Hannah, Adrian and Carolee are the ones watching us as we speak. Courage from Carolee, spontaneity from Hannah, and rigorousness from Adrian.” – SMW.
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Image of Studio object
Photographer: Radna Rumping
Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.
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Image of Studio object
Photographer: Marcel de Buck
Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.
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Image of Studio object
“Wilke’s vaginal gum sculptures. You die, the value goes sky high. Assertion of myself over a painful past, Wilke to melt with her. Can I see myself in relation to her and what she does?” – SMW.
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Image of Studio object
Photographer: Robin Wassink-Murray
“Above: Carolee had a knot in her hair. We were in her hotel room in Frankfurt where we met for her retrospective in 2017. She asked me if I could help to comb her hair and untangle the knot, and she insisted that Robin photograph it as a performance. Below: In 2000 in the first house that Robin and I shared together in Amsterdam, which was 19 square meters, I was on the phone arranging a purchase from Ronald Feldman Gallery of ‘Handle with Care,’ a work by Hannah Wilke. As Robin often does, he documented the action as a work.” – SMW.
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Image of Studio object
“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” – SMW.
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Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” – SMW.
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Image of Studio object
Photographer: Adela Demetja
Location: Munich.
“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.
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Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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Listings connecting to the keyword “Hannah Wilke” (608)
01568-2019…
Photographs
Documentation of…
Carolee Schneemann
2019
Image of Studio object
Photographer: Marcel de Buck
Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.
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01600-2021…
Photographs
Heart drawings,…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Charlott Markus
SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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01632-2021…
Photographs
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Charlott Markus
SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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01666-2021…
Video
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Huib Haye van der Werf
Virtual opening of SMW solo exhibition at mistral, Amsterdam (2021); video streamed on Instagram live. The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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00015-2010…
Thought works
Rolled painting
Carolee Schneemann,…
2010
Image of Studio object
SMW & AC inventorying session – 08.10.20. “Maybe it doesn’t take 20 years to understand the work, as Pina Montano says, but even to face the work.” – SMW. “I’m making an executive decision that the archive will have inconsistencies.” – SMW. “How do you look at work that you made 20 years ago and don’t like or feel comfortable with? – AC. “Or relate to […] I don’t see the point in destroying things. They had a function.” – SMW. “It took me 10 years to make, my whole teenage years (‘I’m Proud of Myself’ sculpture), and I didn’t know I was making it. I was living. The accumulation is something I appreciate.” – SMW.
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00123-2009…
Photographs
Performalist…
2009
Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
“Metaphorically when you turn your back it means you are hiding something. Maybe. Perhaps…” – SMW.
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00155-2009…
Photographs
Performalist…
2009
Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
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00187-2009…
Photographs
Performalist…
2009
Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
“That’s the greatest thing about nature, is that you can’t separate anything from anything else. Trees depend on soil and sky and water and pumpkins and flowers depend on all this and each other. I am not above nature like Friedrich, I am not overseeing anything, I want to subsume myself in everything around me.” – SMW.
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00650-2007…
Photographs
Performalist…
2007-2008
Image of Studio object
Photographer: Adela Demetja
Location: Munich.
“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.
Close
00682-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00714-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00746-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00778-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00810-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
Close
00842-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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