Slides

Probably 500+ loose slides starting in the early 90s and going into the early 2000s. Ephemera of this sort is sold, signed or not, as work by secondhand sellers, of Carolee Schneemann’s work for instance. About 150 of the earliest and most precious slides have been digitised and are now also part of the digital archive. – SMW.
Earlier in the “application” package, slides of the work always required, so, at a point, SMW decided to start using slide film only. Then, as a body artist, any photo could then be used as work for the applications. – MH.


Listings connecting to the sub typology “Slides” (4)



Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01559-2019-DoP-UpToAndIncludingHisLimits06
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Close



Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01561-2019-DoP-UpToAndIncludingHisLimits08
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Close



Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01562-2019-DoP-UpToAndIncludingHisLimits09
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Close



Image of Studio object

Photographer: Marcel de Buck

  • Catalog No.
  • 01563-2019-DoP-UpToAndIncludingHisLimits10
  • Title
  • Up To And Including His Limits
  • Dimensions
  • Variable
  • Materials
  • Live action and installation
  • Object Location
  • Digital

  • Technical Notes

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Close