Inventorying session – 05.11.20: “Carolee’s vulva story. She said “I thought it would be too cunty for you.””. – SMW and AC.
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CS was giving credit left and right, ’cause she was starved for female precedent. – SMW.
CS was my teacher when I was 19, and she really did change my life. –SMW.
Listings connecting to the social link “Carolee Schneemann” (254)
00620-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
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00618-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00619-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00621-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00622-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00623-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00613-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00614-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00615-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
00617-2009…
Photographs
Documentation of…
Carolee Schneemann,…
2009
Image of Studio object
Photographs in collaboration with Johanna Braun. Location: Johanna Braun’s apartment, Vienna, Austria, first district. Photographer: Unknown.
From 27. April (WeTransfer notes): “The other 11 images are from 2009 as well. They were taken in Vienna and are a performance with artist Johanna Braun where I am both art historian and nude, and Johanna and I perform together discussing her work. This was based on a 1969 work by Carolee Schneemann in London called ‘Naked Action Lecture’ where she was art historian of her own work in a slide show and got naked at a certain point to see if she could keep her authority.” – SMW.
Close
02375-2021…
Photographs
Documentation of…
Carolee Schneemann
2021
Image of Studio object
Photographer: Sander van Wettum
Performance in conjunction with the exhibition, ‘Without You I’m Nothing (Blue)’: on occasion of the Rijks Open Studios. From handout accompanying the exhibition: in the space opposite ‘Without You I’m Nothing (Blue)’, visitors can also join Murray-Wassink, Hoetger and Rumping for Backstage with the Gift Science Archive. During selected hours, Backstage offers a look into the studio-depot where Gift Science Archive has unfolded. And, if you’re interested in learning more about the collaborative archiving process, Murray-Wassink, Calderón, Hoetger and Rumping will be in a live-streamed conversation on their process, their roles, and the nuances of co-creation along intergenerational feminist axes. The discussion will be moderated by If I Can’t Dance archive and research curator Anik Fournier and held within the Rijks Open Studios events program on Monday 21 June, 12.00-13.30hr.
Close
02376-2021…
Photographs
Documentation of…
Carolee Schneemann
2021
Image of Studio object
Photographer: Sander van Wettum
Performance in conjunction with the exhibition, ‘Without You I’m Nothing (Blue)’: on occasion of the Rijks Open Studios. From handout accompanying the exhibition: in the space opposite ‘Without You I’m Nothing (Blue)’, visitors can also join Murray-Wassink, Hoetger and Rumping for Backstage with the Gift Science Archive. During selected hours, Backstage offers a look into the studio-depot where Gift Science Archive has unfolded. And, if you’re interested in learning more about the collaborative archiving process, Murray-Wassink, Calderón, Hoetger and Rumping will be in a live-streamed conversation on their process, their roles, and the nuances of co-creation along intergenerational feminist axes. The discussion will be moderated by If I Can’t Dance archive and research curator Anik Fournier and held within the Rijks Open Studios events program on Monday 21 June, 12.00-13.30hr.
Close
02377-2021…
Photographs
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Sander van Wettum
Installation on occasion of the Rijks Open Studios. From handout accompanying the exhibition: ‘Welcome to Without You I’m Nothing (Blue)’, a display of works by Sands Murray-Wassink. All of the works have been unearthed in the process of Gift Science Archive, a ‘monumental’ archiving performance/performance of archiving undertaken by Murray-Wassink and collaborators Amalia Calderón (artistic researcher), Megan Hoetger (curator, If I Can’t Dance) and Radna Rumping (independent editor) over the last 18 months within the frame of Murray-Wassink’s guest residency at the Rjksakademie and his commission with If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. The materials on display include paintings on paper and fabric, photographs and video, as well as works by Senga Nengudi and Carolee Schneemann from Murray-Wassink’s personal collection.
Close
02378-2021…
Photographs
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Sander van Wettum
Installation on occasion of the Rijks Open Studios. From handout accompanying the exhibition: ‘Welcome to Without You I’m Nothing (Blue)’, a display of works by Sands Murray-Wassink. All of the works have been unearthed in the process of Gift Science Archive, a ‘monumental’ archiving performance/performance of archiving undertaken by Murray-Wassink and collaborators Amalia Calderón (artistic researcher), Megan Hoetger (curator, If I Can’t Dance) and Radna Rumping (independent editor) over the last 18 months within the frame of Murray-Wassink’s guest residency at the Rjksakademie and his commission with If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. The materials on display include paintings on paper and fabric, photographs and video, as well as works by Senga Nengudi and Carolee Schneemann from Murray-Wassink’s personal collection.
Close
02379-2021…
Photographs
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Sander van Wettum
Installation on occasion of the Rijks Open Studios. From handout accompanying the exhibition: ‘Welcome to Without You I’m Nothing (Blue)’, a display of works by Sands Murray-Wassink. All of the works have been unearthed in the process of Gift Science Archive, a ‘monumental’ archiving performance/performance of archiving undertaken by Murray-Wassink and collaborators Amalia Calderón (artistic researcher), Megan Hoetger (curator, If I Can’t Dance) and Radna Rumping (independent editor) over the last 18 months within the frame of Murray-Wassink’s guest residency at the Rjksakademie and his commission with If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. The materials on display include paintings on paper and fabric, photographs and video, as well as works by Senga Nengudi and Carolee Schneemann from Murray-Wassink’s personal collection.
Close