Documentation method.
Listings connecting to the typology “Video” (22)
02390-2008…
Video
Documentation of…
Annie Sprinkle, Carolee…
2008
Image of Studio object
Digital image taken from documentation of performance available on Vimeo at: https://vimeo.com/76554268. The performance an homage to Annie Sprinkle and Beth Stephens, as well as Carolee Schneemann, together with Robin Wassink-Murray. The title taken from video documentation of ‘Town Bloody Hall’ (1979) with Jill Johnston and others. Location: Schlachthaus Theatre (Bern, Switzerland). Colour; sound; 48:10 (unedited).
“Robin and I were in the hotel room when we told Carolee the title of the performance, and she said wryly ‘no one will ever get that.’” – SMW.
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02371-2021…
Video
Documentation of…
Carolee Schneemann
2021
Image of Studio object
Photographer: Arvo Leo
Performance in conjunction with the exhibition, ‘Without You I’m Nothing (Blue)’: on occasion of the Rijks Open Studios. From handout accompanying the exhibition: in the space opposite ‘Without You I’m Nothing (Blue)’, visitors can also join Murray-Wassink, Hoetger and Rumping for Backstage with the Gift Science Archive. During selected hours, Backstage offers a look into the studio-depot where Gift Science Archive has unfolded. And, if you’re interested in learning more about the collaborative archiving process, Murray-Wassink, Calderón, Hoetger and Rumping will be in a live-streamed conversation on their process, their roles, and the nuances of co-creation along intergenerational feminist axes. The discussion will be moderated by If I Can’t Dance archive and research curator Anik Fournier and held within the Rijks Open Studios events program on Monday 21 June, 12.00-13.30hr.
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01946-2009…
Video
Performance video
2009
Image of Studio object
SMW with friend set to music. Artist: Kelis/Album: Tasty/Song: “Intro” on repeat. Colour; sound; 1 hour 6 min 9 sec.
“I had to document it all, even with others, partners, etc. because gay pornography figures and has figured in my life so I have to put my own body where I see the bodies of others… This is a ‘secret’ webpage on my website, that you need the exact link to get to. As with the normal/original ‘Sands Sex’ but with music added for extra affect/effect. Music I loved the listened to at the time…” – SMW.
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01945-2009…
Video
Performance video
2009
Image of Studio object
SMW with friend. Colour; sound; 1 hour 4 min 57 sec.
“I had to document it all, even with others, partners, etc. because gay pornography figures and has figured in my life so I have to put my own body where I see the bodies of others… This is a ‘secret’ webpage on my website, that you need the exact link to get to. As with the normal/original ‘Sands Sex’ but with music added for extra affect/effect. Music I loved the listened to at the time…” – SMW.
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01944-2008…
Video
Performance video
2008
Image of Studio object
Self-shot footage of SMW masturbating collective over two days (11 and 22 July 2008). The video piece used in multiple performance and presented in the 2010 exhibition ‘Solace’ curated by Christian Kobal at the Austrian Cultural Center. Colour; sound; 1 hour 5 min 37 sec.
“This could have been partially influenced by Elke Krystufek’s live and video performances masturbating. I was trying to respond from the male sides to what she was doing. I still wonder why certain (white?) women feel the need to deal so explicitly with sexual imagery, self pleasuring, and why it interested me. Lots of thoughts on this but this is not the space. I have shown this video and sections of it several times, also in the graduation performance of Annabel Kanaar at 1646 art space in The Hague (see bio). It’s again and again about ‘the truth’ and to see if how it looks is how it feels. Germaine Greer says that real sex looks terrible filmed, but what is real sex?” – SMW.
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01883-2021…
Video
Documentation of…
2021
Image of Studio object
Photographer: Robin Wassink-Murray
Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’, which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).
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01857-2021…
Video
Documentation of…
2021
Image of Studio object
Video registration of the third and final of the process event series, which took place as a live-stream conversation within the public program of Rijksakademie Open Studios 2021. The artist and collaborators Amalia Calderón, Megan Hoetger and Radna Rumping sat together with If I Can't Dance archive and research curator Anik Fournier to discuss the structures of 'collaboration' within the group's 'monumental' 18-month performance of archiving, as well as their respective roles and shared tasks throughout the process. Friday 21 June 2021, 12.00-13.30hr. Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.
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01666-2021…
Video
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Huib Haye van der Werf
Virtual opening of SMW solo exhibition at mistral, Amsterdam (2021); video streamed on Instagram live. The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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01665-2021…
Video
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Megan Hoetger
Virtual opening of SMW solo exhibition at mistral, Amsterdam (2021); video streamed on Facebook live. The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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01492-2020…
Video
Documentation of…
Vivian van Saaze
2020
Image of Studio object
Photographer: Robin Wassink-Murray
In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.
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01232-2015…
Video
Performance video
2015
Image of Studio object
“The reason I like that video… I cry in it (if you look closely there’s a tear rolling down my cheek), and the only time there’s a video of me painting. You can literally see my hand moving with a tiny brush. Like the wetness of the paint.” – SMW.
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01231-1998…
Video
Performance video
1998
Image of Studio object
“There is a very special video. 1 1/2 hours of me dancing to music in front of a mirror in my first independent flat/room in Amsterdam in 1998. This could also be nice to consider, it’s probably the best video I ever made so I’m keeping it ‘precious’ and not putting it online…” – SMW.
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00889-2005…
Video
Documentation of…
Elke Silvia Krystufek
2004
Image of Studio object
Official edited documentation of performance (color video with sound, 47:11; filmed by Elke, Selena, and Stefan; edited by Elke Krystufek // duration of performance: 47:11. FILE NAME: The Naked Conference_official edited documentation.wmv. Date: 30 June 2004. Location: BAWAG Foundation, Vienna.
From 9 April 2020 (WeTransfer notes): “‘The Naked Conference’ which could be the best thing Elke and I ever did. Elke Krystufek. Elke showed that video several times in solo shows of hers. In it we discussed ‘Equalities, Equivalences’” – SMW. 9 April 2020 (credit note): “My archive is as much of a mess (digitally) as my apartment studio or my CV haha.” – SMW. From 13. April 2020 (inventory notes): “‘Elke’s action stream’ above is simply Elke’s filming of the audience and us with her own camera.” – SMW.
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00888-2005…
Video
Documentation of…
Elke Silvia Krystufek
2004
Image of Studio object
Unedited documentation of performance (color video with sound, 1:06:44, filmed by Elke Krystufek) // duration of performance: 47:11. FILE NAME: Elke’s action stream_unedited documentation.wmv. Date: 30 June 2004. Location: BAWAG Foundation, Vienna.
From 9 April 2020 (WeTransfer notes): “‘The Naked Conference’ which could be the best thing Elke and I ever did. Elke Krystufek. Elke showed that video several times in solo shows of hers. In it we discussed ‘Equalities, Equivalences’” – SMW. 9 April 2020 (credit note): “My archive is as much of a mess (digitally) as my apartment studio or my CV haha.” – SMW. From 13. April 2020 (inventory notes): “‘Elke’s action stream’ above is simply Elke’s filming of the audience and us with her own camera.” – SMW.
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00887-2005…
Video
Documentation of…
Elke Silvia Krystufek
2005
Image of Studio object
Photographer: Per Teljer
Documentation of performance (titled color video with sound // duration of performance: 42:00. Video to be projected or shown on monitor/flatscreen. Location: GEM Museum, The Hague. Filmed by: Per Teljer. Photographed by: Claudia Reinhardt.
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