SPONTANEITY. From the Gift Science Archive guiding lights.
Really, one could just suggest that you return to PERFORMALIST SELF PORTRAITURE, but where is the fun in that? Wilke’s work with her body, with her image and with her words is a touchstone for Sands. Here are some highlights – some of her words and some of the words that she has inspired in Sands...
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“Exposing the truth is like nudity.” (a quote from Wilke often recited by SMW)
“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” (SMW quote in reflection note for archive #00180-2009-PSP-BigPumpkinSeries-079)
“...like Hannah Wilke, which I thought was so beautiful, she was wearing high heels, high heels and nothing else. So, she was all naked, but she had those high heels on, and she said, ‘These are my plinths.’ So suddenly she was a sculpture, in those high heels…” (SMW in META-ARCHIVE conversation with ROBIN Wassink-Murray and Radna Rumping, 24 July 2020)
“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” (SMW quote in reflection note for archive #00068-1993/1995-C-SignatureCollage-047) – MH.
Image of Studio object
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Image of Studio object
Rijksakademie Internal Open Studios – 07.09.20. “Hannah, Adrian and Carolee are the ones watching us as we speak. Courage from Carolee, spontaneity from Hannah, and rigorousness from Adrian.” – SMW.
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Image of Studio object
Photographer: Radna Rumping
Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.
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Image of Studio object
Photographer: Marcel de Buck
Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.
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Image of Studio object
“Wilke’s vaginal gum sculptures. You die, the value goes sky high. Assertion of myself over a painful past, Wilke to melt with her. Can I see myself in relation to her and what she does?” – SMW.
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Image of Studio object
Photographer: Robin Wassink-Murray
“Above: Carolee had a knot in her hair. We were in her hotel room in Frankfurt where we met for her retrospective in 2017. She asked me if I could help to comb her hair and untangle the knot, and she insisted that Robin photograph it as a performance. Below: In 2000 in the first house that Robin and I shared together in Amsterdam, which was 19 square meters, I was on the phone arranging a purchase from Ronald Feldman Gallery of ‘Handle with Care,’ a work by Hannah Wilke. As Robin often does, he documented the action as a work.” – SMW.
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Image of Studio object
“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” – SMW.
Close
Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
“Hannah used to talk about being spontaneous and I think this is mainly what it is all about, being spontaneous and not planning too much when working. Like grooving with the energies of the universe will provide ultimate meaning.” – SMW.
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Image of Studio object
Photographer: Adela Demetja
Location: Munich.
“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.
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Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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Listings connecting to the keyword “Hannah Wilke” (608)
00162-2009…
Photographs
Performalist…
2009
Image of Studio object
Photographer: Robin Wassink-Murray
Location: Moen Island, Denmark at Frederikke Hansen’s former house.
“Actually moving my body to clean etc. feels difficult, arduous, scary even. When I was growing up my dad cleaned more than my mom I think, which had various reasons very particular to our family. My dad is a retired blue collar worker and he never shied away from doing things with his hands. Getting dirty and greasy etc. Hard labor. It seemed meditative to him.” – SMW.
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00327-2000…
Philosophical…
Working 2000
Hannah Wilke
2000
Image of Studio object
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00658-2007…
Photographs
Performalist…
2007-2008
Image of Studio object
Photographer: Adela Demetja
Location: Munich.
“My one and only up to now solo show event outside of The Netherlands what happens at Auto Italia will somehow be an extension of this earlier installation (in my mind anyway). There is a series of images from 2002 in Zürich that feels important. I will get you those images too.” – SMW.
Close
00689-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00721-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
‘Am I living the life of a courtesan?’ – 31.03.20. “On money, nudity & paying homage – Archiving a nude body can prove to be a hazard. // How do you fold it? // Perhaps from the top: arm to shoulder, nail to hair-lock, voice to tongue. // Take aim, it's simple. // Push it down. Maybe a bit harder. It doesn't really fit. Where do I put the hands? // Those teeth bite, stay away. Keep them far. // ‘They are worth the money’ you say. // You // have teeth marks on your back.” – AC.
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00753-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00785-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00817-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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00849-2010…
Photographs
Performance…
Sabian Baumann
2010
Image of Studio object
Documentation of course co-taught in Zürich in 2010 together with http://www.sabianbaumann.ch. Dates: 14-17 September 2010.
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01174-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Email exchange – 01.06.20. “There is a whole story behind them, as with most of my work.” – SMW.
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01206-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
00890-2017…
Photographs
Performance…
Carolee Schneemann,…
2017
Image of Studio object
Self Portrait Images Ostensibly For Gay Internet Dating Sites (Planetromeo, etc.) Location: Swammerdamstraat Apartment Amsterdam, studio.
From 12. April 2020 (WeTransfer notes): “they are a bit too close for me to properly ‘judge’, they are a bit neutral for me. Carolee always told me to go to where the difficulty was, and somehow my face has always been a challenging situation.” – SMW. 30. April 2020 (inventory note): “I also think of Jo Spence, the British artist, being told she was ‘brave’ for using her own image when she was not classically beautiful. And Carolee Schneemann and Hannah Wilke subverting the ‘ideal image’. I feel somewhere in between as I swing between ‘more ideal’ and ‘less ideal’.” – SMW.
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00974-2017…
Photographs
Performance…
Carolee Schneemann,…
2017
Image of Studio object
Self Portrait Images Ostensibly For Gay Internet Dating Sites (Planetromeo, etc.) Location: Swammerdamstraat Apartment Amsterdam, studio.
From 12. April 2020 (WeTransfer notes): “they are a bit too close for me to properly ‘judge’, they are a bit neutral for me. Carolee always told me to go to where the difficulty was, and somehow my face has always been a challenging situation.” – SMW. 30. April 2020 (inventory note): “I also think of Jo Spence, the British artist, being told she was ‘brave’ for using her own image when she was not classically beautiful. And Carolee Schneemann and Hannah Wilke subverting the ‘ideal image’. I feel somewhere in between as I swing between ‘more ideal’ and ‘less ideal’.” – SMW.
Close
01554-2019…
Photographs
Documentation of…
Carolee Schneemann
2019
Image of Studio object
Photographer: Marcel de Buck
Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.
MH & AC meeting – 27.01.21. “Storytell the storytelling.” – MH.
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01586-2021…
Photographs
Documentation of…
Adrian Piper, Carolee…
2021
Image of Studio object
Photographer: Charlott Markus
SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).
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