Negative irritations maximised.
Who do these people think they are?
Our meat-wrapping is often insufficient.
Is our “Tryout Masculinity” insufficient?
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Cease and desist, or light up your own fires.
Friction as fuel.
Tips for purpose.
A body for the push.
/////
Discomfort at art institutions. Discomfort at the edges of your own body. Discomfort at a market in which you are marked “an apolitical commodity”. Discomfort at the loss of becoming, at genderbending for the first time. Discomfort at the paying of dues to all of those who got naked before us. Discomfort at state-funded artivist organizations that make you feel unwelcome. Discomfort at irritated heteronormativity, at your own inner oppressive discourses. Discomfort as gasoline to blast a fire that burns good-hearted tips into a sculptural claim.
One foot inside of the Rijksakademie and one outside. – AC.
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“I was so beaten up as a teenager that I could not stand up.” – SMW.
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Email from lawyer.
“I/we found VALIE’s email to me from 2004, please find it attached for archiving eventually. In the archive we should blur or censor VALIE’s personal email address of course. This is just for you, now, for your eyes only… (James Bond’s theme tune runs through my head… :)” – SMW.
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Photographer: Robin Wassink-Murray
Video documentation of performance (color video with sound, 37:37) // duration of performance: 37:37. Performance Date: 11 September 2005. Event: ‘When the Lady Talks’. Location: Arminius Church Rotterdam.
From 17. April 2020 (WeTransfer notes): “I get naked at around 6:39 on the video… first naked performance, untitled I think, where I was so nervous that I drank an entire bottle of red wine before I went on and could barely speak. I am wearing the dress by Karl Lagerfeld for H&M that Radna also has :) And the long black coat is meant to reference Hannah Wilke's performance https://www.eai.org/titles/int... and simultaneously the Blackgama images I commented on in Whatsapp: http://www.blackglama.com/camp...” – SMW.
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Photographer: Robin Wassink-Murray
Location: Peter Brandt’s Apartment Copenhagen, Denmark (21 August 2009). Images by: Double Performalist Self Portraits together with Robin Wassink-Murray.
8 april 2020 (WeTransfer notes): “‘Tryout Masculinity Venus Envy Shots’ by me and www.peter-brandt.com in Copenhagen taken by Robin on this same trip to Denmark in 2009. Robin took these in Peter’s studio in his apartment. I’ve broken my friendship with Peter for various reasons which we can talk about. But these pictures are the only pix I have with another male body artist of this nature.” – SMW.
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Archiving tips sent to SMW by Adrian Piper via email in 2012 in response to photographs of SMW’s studio shared with Piper.
“(We had) To put AP’s tips to the test.” – SMW.
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Text co-written by Amalia Calderón and Megan Hoetger for a proposed collaboration with Vondelbunker as part of the GSA archiving marathon series, which was never realised due to pandemic conditions and the lack of interest by the artistic committee of the Vondelbunker.
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“Did I ask for your opinion? Stay in your body.” – AC. “Stay in your lane.” – SMW.
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The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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Listings connecting to the keyword “Discomfort” (546)
00486-2002…
Photographs
Performance…
Elke Silvia Krystufek
2002
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Photographer: Robin Wassink-Murray
Location: Sands and Robin’s old flat (Halmaheirastraat studio, Amsterdam).
9 april 2020 (WeTransfer notes): “Okay, here are some of the most important works I’ve ever made: ‘Elke & Sands: Equalities, Equivalences’ from 2002 in a series of images taken by Robin in an old flat of ours in my studio there. It’s a wonder these ever were taken and I still love them.” – SMW.
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00518-2004…
Photographs
Performance…
VALIE EXPORT
2004
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Photographer: Luc Matthys
Location: Maes and Matthys Gallery Antwerp Belgium.
9 april 2020 (WeTransfer notes): “AND also the ones with VALIE and that’s when VALIE got so pissed with me. Top secret but also top important/significant.” – SMW.
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01241-c200…
Philosophical…
Working 2000
c. 2000
Image of Studio object
“I even made a few sex tapes. Robin helped me set up the camera. I was a top. You see it from behind; he’s on a couch in front of me (slightly anonymous). It’s quite aesthetic.” – SMW paraphrased by MH.
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01449-2000…
Philosophical…
Working 2000
Tim Miller
2000
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An anecdote about another friend from De Ateliers, this one delivered over drink after the opening of group exhibition including SMW's work at the Vienna Secession.
Meeting – 12.04.20. “At times we are much more generous with other genders. Are we expecting more from the category we identify with? We need to be willing to be more generous. I was walking through a tunnel in Paris having this conversation. [My] friend was much more critical of any whiff of homo-nationalism.” – MH.
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01767-2013…
Philosophical…
Working 2010s
2013
Image of Studio object
A bit like a rolled painting.
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02211-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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02243-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.*from Tear Garden song "Romulus and Venus"
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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02275-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02307-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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00205-c200…
Philosophical…
Working 2000
c. 2000
Image of Studio object
Rijksakademie Internal Open Studios – 07.09.20. “It’s not dry archiving, it’s about community, communication. It’s one big experiment.” – SMW.
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00240-2001…
Philosophical…
Working 2000
2001
Image of Studio object
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00276-2001…
Philosophical…
Working 2000
2001
Image of Studio object
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00310-c200…
Philosophical…
Working 2000
c. 2001
Image of Studio object
“You don’t have to work ahead of yourself, you can show what you are making.” – SMW.
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00342-2000…
Philosophical…
Working 2000
Rob Birza
2000
Image of Studio object
“Some people say art school never ends.” – Anon.
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00374-2002…
Philosophical…
Working 2000
Joan Semmel
2002
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Email to Joan Semmel – 15.04.20. “I have a somewhat troubled relationship to my past but what is affirmative to me are memories from those early days finding my way to where I am now at 46 years old.” – SMW.
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