Discomfort

Negative irritations maximised.
Who do these people think they are?
Our meat-wrapping is often insufficient.
Is our “Tryout Masculinity” insufficient? Cease and desist, or light up your own fires.
Friction as fuel.
Tips for purpose.
A body for the push.

/////

Discomfort at art institutions. Discomfort at the edges of your own body. Discomfort at a market in which you are marked “an apolitical commodity”. Discomfort at the loss of becoming, at genderbending for the first time. Discomfort at the paying of dues to all of those who got naked before us. Discomfort at state-funded artivist organizations that make you feel unwelcome. Discomfort at irritated heteronormativity, at your own inner oppressive discourses. Discomfort as gasoline to blast a fire that burns good-hearted tips into a sculptural claim.

One foot inside of the Rijksakademie and one outside. – AC.



Image of Studio object

  • Catalog No.
  • 00326-2000-PsW2000-ADOLESCENTAMERICA
  • Title
  • ADOLESCENT AMERICA
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

“I was so beaten up as a teenager that I could not stand up.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00236-2001-PsW2000-IHATEINSTITUTIONS!
  • Title
  • I HATE INSTITUTIONS!
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 00457-2009-DN-PileOfShit
  • Title
  • Pile of shit
  • Dimensions
  • Variable
  • Materials
  • Digital word document file
  • Object Location
  • Digital

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Image of Studio object

  • Catalog No.
  • 00541-2005-Co-VALIE EXPORTCease+DesistLetter
  • Title
  • VALIE EXPORT ‘Cease and Desist’ Letter
  • Dimensions
  • Variable
  • Materials
  • Outlook Express email service
  • Object Location
  • Digital
  • Social link(s)
  • · Irritation (negative)
  • · Correspondence
  • Year

  • Technical Notes

Email from lawyer.


  • Reflection Notes

“I/we found VALIE’s email to me from 2004, please find it attached for archiving eventually. In the archive we should blur or censor VALIE’s personal email address of course. This is just for you, now, for your eyes only… (James Bond’s theme tune runs through my head… :)” – SMW.

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Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00884-2005-DoP-UntitledFirstNakedPublicPerfo…
  • Title
  • Untitled (First Naked Public Performance)
  • Dimensions
  • Variable
  • Materials
  • Live performance
  • Object Location
  • Digital

  • Technical Notes

Video documentation of performance (color video with sound, 37:37) // duration of performance: 37:37. Performance Date: 11 September 2005. Event: ‘When the Lady Talks’. Location: Arminius Church Rotterdam.


  • Reflection Notes

From 17. April 2020 (WeTransfer notes): “I get naked at around 6:39 on the video… first naked performance, untitled I think, where I was so nervous that I drank an entire bottle of red wine before I went on and could barely speak. I am wearing the dress by Karl Lagerfeld for H&M that Radna also has :) And the long black coat is meant to reference Hannah Wilke's performance https://www.eai.org/titles/int... and simultaneously the Blackgama images I commented on in Whatsapp: http://www.blackglama.com/camp...” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00612-2009-PSP-TryoutMasculinityVenusEnvySho…
  • Title
  • Tryout Masculinity Venus Envy Shots (Sands and Peter)
  • Dimensions
  • Variable
  • Materials
  • Variable
  • Object Location
  • Digital

  • Technical Notes

Location: Peter Brandt’s Apartment Copenhagen, Denmark (21 August 2009). Images by: Double Performalist Self Portraits together with Robin Wassink-Murray.


  • Reflection Notes

8 april 2020 (WeTransfer notes): “‘Tryout Masculinity Venus Envy Shots’ by me and www.peter-brandt.com in Copenhagen taken by Robin on this same trip to Denmark in 2009. Robin took these in Peter’s studio in his apartment. I’ve broken my friendship with Peter for various reasons which we can talk about. But these pictures are the only pix I have with another male body artist of this nature.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01474-2012-DN-AdrianPiperArchivingTips
  • Title
  • Adrian Piper Archiving Tips
  • Dimensions
  • Variable
  • Materials
  • Digital word document file
  • Object Location
  • Digital

  • Technical Notes

Archiving tips sent to SMW by Adrian Piper via email in 2012 in response to photographs of SMW’s studio shared with Piper.


  • Reflection Notes

“(We had) To put AP’s tips to the test.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01479-2020-UbR-VondelbunkerGoesToTheGiftScie…
  • Title
  • Vondelbunker goes to the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Digital word document file
  • Object Location
  • Digital

  • Technical Notes

Text co-written by Amalia Calderón and Megan Hoetger for a proposed collaboration with Vondelbunker as part of the GSA archiving marathon series, which was never realised due to pandemic conditions and the lack of interest by the artistic committee of the Vondelbunker.

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Image of Studio object

  • Catalog No.
  • 00343-2000-PsW2000-GAYISDRIVING
  • Title
  • GAY IS DRIVING
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

“Did I ask for your opinion? Stay in your body.” – AC. “Stay in your lane.” – SMW.

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Image of Studio object

  • Catalog No.
  • 02286-c2015-TwA4-Narcissism/Capitalism
  • Title
  • Narcissism/Capitalism
  • Dimensions
  • 29.5 x 21
  • Materials
  • Gouache and acrylic paint on pages of Gai Pied magazine
  • Object Location
  • Physical

  • Technical Notes

The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.


  • Reflection Notes

“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.

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Listings connecting to the keyword “Discomfort” (546)



Image of Studio object

  • Catalog No.
  • 00417-2000-PsW2000-AFTERMODERNISM
  • Title
  • AFTERMODERNISM
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker and pen on paper
  • Object Location
  • Physical

  • Reflection Notes

“We are still talking about fucking Michelangelo from 500 years ago, but the 70s are over?” – SMW. “I don’ t feel I need to change my body, but I feel like a brain drag.” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00465-2002-PP-ElkeSandsEqualitiesEquivalence…
  • Title
  • Elke & Sands: Equalities, Equivalences
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Sands and Robin’s old flat (Halmaheirastraat studio, Amsterdam).


  • Reflection Notes

9 april 2020 (WeTransfer notes): “Okay, here are some of the most important works I’ve ever made: ‘Elke & Sands: Equalities, Equivalences’ from 2002 in a series of images taken by Robin in an old flat of ours in my studio there. It’s a wonder these ever were taken and I still love them.” – SMW.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 00497-2002-PP-ElkeSandsEqualitiesEquivalence…
  • Title
  • Elke & Sands: Equalities, Equivalences
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Location: Sands and Robin’s old flat (Halmaheirastraat studio, Amsterdam).


  • Reflection Notes

9 april 2020 (WeTransfer notes): “Okay, here are some of the most important works I’ve ever made: ‘Elke & Sands: Equalities, Equivalences’ from 2002 in a series of images taken by Robin in an old flat of ours in my studio there. It’s a wonder these ever were taken and I still love them.” – SMW.

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Image of Studio object

Photographer: Luc Matthys

  • Catalog No.
  • 00529-2004-PP-ValieSandsEqualitiesEquivalenc…
  • Title
  • Sands & VALIE: Equalities, Equivalences
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital
  • Social link(s)
  • · Irritation (negative)
  • · Correspondence
  • Year

  • Technical Notes

Location: Maes and Matthys Gallery Antwerp Belgium.


  • Reflection Notes

9 april 2020 (WeTransfer notes): “AND also the ones with VALIE and that’s when VALIE got so pissed with me. Top secret but also top important/significant.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01255-2000-PsW2000-WorkForGayMen
  • Title
  • Work for Gay Men
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 01467-2015-PsW2010s-GoodBecauseItsSoBad
  • Title
  • Good Because It's So Bad
  • Dimensions
  • 50 x 65
  • Materials
  • Acrylic and gouache on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 01778-2014-PsW2010s-ARestlessIntelligence
  • Title
  • A Restless Intelligence
  • Dimensions
  • 50 x 65
  • Materials
  • Pencil, permanent marker and acrylic paint on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 02222-c2015-TwA4-WhatKindOfAnArtistAreYou?
  • Title
  • What kind of an artist are you?
  • Dimensions
  • 29.5 x 21
  • Materials
  • Acrylic paint on pages of Gai Pied magazine
  • Object Location
  • Physical

  • Technical Notes

The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.


  • Reflection Notes

“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02254-c2015-TwA4-WithRobin
  • Title
  • With Robin
  • Dimensions
  • 29.5 x 21
  • Materials
  • Acrylic paint on pages of Gai Pied magazine
  • Object Location
  • Physical

  • Technical Notes

The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.


  • Reflection Notes

“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02286-c2015-TwA4-Narcissism/Capitalism
  • Title
  • Narcissism/Capitalism
  • Dimensions
  • 29.5 x 21
  • Materials
  • Gouache and acrylic paint on pages of Gai Pied magazine
  • Object Location
  • Physical

  • Technical Notes

The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.


  • Reflection Notes

“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02318-c2015-TwA4-USA
  • Title
  • USA
  • Dimensions
  • 29.5 x 21
  • Materials
  • Acrylic paint on pages of Gai Pied magazine
  • Object Location
  • Physical

  • Technical Notes

The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.


  • Reflection Notes

“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 00217-2000/2001-PsW2000-AUDIENCEISARTISTS
  • Title
  • AUDIENCE IS ARTISTS
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker and pen on paper
  • Object Location
  • Physical

  • Reflection Notes

Rijksakademie Internal Open Studios – 07.09.20. “The cantine person was the one to strike one of the cores of the archive: ‘what does archiving give you?’”. – AC. “Exactly, you cannot hierarchise those things. what does it take to be an artist? All it takes is…” – SMW. “… to say that you are one.” – SMW & AC. “It’s not a craft. It’s the way to think, to see, to make. The craft section comes after.” – AC. “The conceptualisation of the artist is all.” – SMW

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  • Catalog No.
  • 00251-2000-PsW2000-ImAlwaysCurious
  • Title
  • I'm Always Curious
  • Dimensions
  • 42 x 59
  • Materials
  • Pen on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 00287-c2001-PsW2000-GAY(Green)
  • Title
  • GAY (Green)
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

“Claiming ownership, a right to be.” – AC. “Back then, nobody talked about intersectionality. I’m okay with queer, but it has to go with something else for me. Gay means happy too.” – SMW.

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  • Catalog No.
  • 00321-2000-PsW2000-GAYMENAPPRECIATE
  • Title
  • GAY MEN APPRECIATE
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

“Prestige drives me crazy.” – SMW.

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