Discomfort
Negative irritations maximised.
Who do these people think they are?
Our meat-wrapping is often insufficient.
Is our “Tryout Masculinity” insufficient?
More
Cease and desist, or light up your own fires.
Friction as fuel.
Tips for purpose.
A body for the push.
/////
Discomfort at art institutions. Discomfort at the edges of your own body. Discomfort at a market in which you are marked “an apolitical commodity”. Discomfort at the loss of becoming, at genderbending for the first time. Discomfort at the paying of dues to all of those who got naked before us. Discomfort at state-funded artivist organizations that make you feel unwelcome. Discomfort at irritated heteronormativity, at your own inner oppressive discourses. Discomfort as gasoline to blast a fire that burns good-hearted tips into a sculptural claim.
One foot inside of the Rijksakademie and one outside. – AC.
Image of Studio object
- Catalog No.
- 00326-2000-PsW2000-ADOLESCENTAMERICA
- Title
- ADOLESCENT AMERICA
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
- Reflection Notes
“I was so beaten up as a teenager that I could not stand up.” – SMW.
Close
Image of Studio object
- Catalog No.
- 00236-2001-PsW2000-IHATEINSTITUTIONS!
- Title
- I HATE INSTITUTIONS!
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
Close
Image of Studio object
- Catalog No.
- 00457-2009-DN-PileOfShit
- Title
- Pile of shit
- Dimensions
- Variable
- Materials
- Digital word document file
- Object Location
- Digital
- Year
Close
Image of Studio object
- Catalog No.
- 00541-2005-Co-VALIE EXPORTCease+DesistLetter
- Title
- VALIE EXPORT ‘Cease and Desist’ Letter
- Dimensions
- Variable
- Materials
- Outlook Express email service
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Email from lawyer.
- Reflection Notes
“I/we found VALIE’s email to me from 2004, please find it attached for archiving eventually. In the archive we should blur or censor VALIE’s personal email address of course. This is just for you, now, for your eyes only… (James Bond’s theme tune runs through my head… :)” – SMW.
Close
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00884-2005-DoP-UntitledFirstNakedPublicPerfo…
- Title
- Untitled (First Naked Public Performance)
- Dimensions
- Variable
- Materials
- Live performance
- Object Location
- Digital
- Typology
- Sub-typology
- Year
- Technical Notes
Video documentation of performance (color video with sound, 37:37) // duration of performance: 37:37. Performance Date: 11 September 2005. Event: ‘When the Lady Talks’. Location: Arminius Church Rotterdam.
- Reflection Notes
From 17. April 2020 (WeTransfer notes): “I get naked at around 6:39 on the video… first naked performance, untitled I think, where I was so nervous that I drank an entire bottle of red wine before I went on and could barely speak. I am wearing the dress by Karl Lagerfeld for H&M that Radna also has :) And the long black coat is meant to reference Hannah Wilke's performance https://www.eai.org/titles/int... and simultaneously the Blackgama images I commented on in Whatsapp: http://www.blackglama.com/camp...” – SMW.
Close
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00612-2009-PSP-TryoutMasculinityVenusEnvySho…
- Title
- Tryout Masculinity Venus Envy Shots (Sands and Peter)
- Dimensions
- Variable
- Materials
- Variable
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Location: Peter Brandt’s Apartment Copenhagen, Denmark (21 August 2009). Images by: Double Performalist Self Portraits together with Robin Wassink-Murray.
- Reflection Notes
8 april 2020 (WeTransfer notes): “‘Tryout Masculinity Venus Envy Shots’ by me and www.peter-brandt.com in Copenhagen taken by Robin on this same trip to Denmark in 2009. Robin took these in Peter’s studio in his apartment. I’ve broken my friendship with Peter for various reasons which we can talk about. But these pictures are the only pix I have with another male body artist of this nature.” – SMW.
Close
Image of Studio object
- Catalog No.
- 01474-2012-DN-AdrianPiperArchivingTips
- Title
- Adrian Piper Archiving Tips
- Dimensions
- Variable
- Materials
- Digital word document file
- Object Location
- Digital
- Year
- Technical Notes
Archiving tips sent to SMW by Adrian Piper via email in 2012 in response to photographs of SMW’s studio shared with Piper.
- Reflection Notes
“(We had) To put AP’s tips to the test.” – SMW.
Close
Image of Studio object
- Catalog No.
- 01479-2020-UbR-VondelbunkerGoesToTheGiftScie…
- Title
- Vondelbunker goes to the Gift Science Archive
- Dimensions
- Variable
- Materials
- Digital word document file
- Object Location
- Digital
- Typology
- Year
- Technical Notes
Text co-written by Amalia Calderón and Megan Hoetger for a proposed collaboration with Vondelbunker as part of the GSA archiving marathon series, which was never realised due to pandemic conditions and the lack of interest by the artistic committee of the Vondelbunker.
Close
Image of Studio object
- Catalog No.
- 00343-2000-PsW2000-GAYISDRIVING
- Title
- GAY IS DRIVING
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
- Reflection Notes
“Did I ask for your opinion? Stay in your body.” – AC. “Stay in your lane.” – SMW.
Close
Image of Studio object
- Catalog No.
- 02286-c2015-TwA4-Narcissism/Capitalism
- Title
- Narcissism/Capitalism
- Dimensions
- 29.5 x 21
- Materials
- Gouache and acrylic paint on pages of Gai Pied magazine
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
- Reflection Notes
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
Listings connecting to the keyword “Discomfort” (546)
01464-c201…
Philosophical…
Working 2010s
c. 2014
Image of Studio object
- Catalog No.
- 01464-c2014-PsW2010s-VeryLateBloomer
- Title
- Very Late Bloomer
- Dimensions
- 32.5 x 50
- Materials
- Acrylic paint and gouache on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
Close
01775-2012…
Philosophical…
Working 2010s
Slava Mogutin
2012
Image of Studio object
- Catalog No.
- 01775-2012-PsW2010s-AbsurdityChart
- Title
- Absurdity Chart
- Dimensions
- 50 x 65
- Materials
- Permanent marker and acrylic paint on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
Close
02219-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
- Catalog No.
- 02219-c2015-TwA4-GlamourIsSoUnderestimated
- Title
- Glamour is so underestimated
- Dimensions
- 29.5 x 21
- Materials
- Acrylic paint on pages of Gai Pied magazine
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
- Reflection Notes
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02251-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
- Catalog No.
- 02251-c2015-TwA4-DontReadAnythingIntoIt
- Title
- Don't read anything into it
- Dimensions
- 29.5 x 21
- Materials
- Abroncrylic paint on pages of Gai Pied magazine
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
- Reflection Notes
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02283-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
- Catalog No.
- 02283-c2015-TwA4-NotOnlyForMe
- Title
- Not only for me
- Dimensions
- 29.5 x 21
- Materials
- Acrylic paint on pages of Gai Pied magazine
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
- Reflection Notes
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02315-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
- Catalog No.
- 02315-c2015-TwA4-ItsJustSex
- Title
- It's just sex
- Dimensions
- 29.5 x 21
- Materials
- Acrylic paint on pages of Gai Pied magazine
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
- Reflection Notes
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
00213-2000…
Philosophical…
Working 2000
c. 2000
Image of Studio object
- Catalog No.
- 00213-2000-PsW2000-UntitledSketch(Disappoint…
- Title
- Untitled Sketch (Disappointing)
- Dimensions
- 42 x 59
- Materials
- Pen on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
Close
00248-2000…
Philosophical…
Working 2000
2000
Image of Studio object
- Catalog No.
- 00248-2000-PsW2000-4PRONOUNS
- Title
- 4 PRONOUNS
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
Close
00284-c200…
Philosophical…
Working 2000
c. 2001
Image of Studio object
- Catalog No.
- 00284-c2001-PsW2000-Don'tWantToWork
- Title
- Don't Want To Work
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
Close
00318-2000…
Philosophical…
Working 2000
Tim Miller
2000
Image of Studio object
- Catalog No.
- 00318-2000-PsW2000-AmericansThink
- Title
- Americans Think
- Dimensions
- 42 x 59
- Materials
- Poster marker and pen on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
Close
00350-2000…
Philosophical…
Working 2000
2000
Image of Studio object
- Catalog No.
- 00350-2000-PsW2000-WhatTheHell
- Title
- What The Hell
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
Close
00382-c200…
Philosophical…
Working 2000
Leigh Ledare
c. 2002
Image of Studio object
- Catalog No.
- 00382-c2002-PsW2000-DRAWINGISNOTMYTHING
- Title
- DRAWING IS NOT MY THING
- Dimensions
- 30 x 42
- Materials
- Oil crayon and pen on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Reflection Notes
“Sometimes I think of psychic pain, and there’s so much of it that I just block it, I could have never guessed that things would be like they are now… but I hoped.” – SMW. “I guess that is part of the artist life… the imposter syndrome.” – AC.
Close
00429-2000…
Philosophical…
Working 2000
2000
Image of Studio object
- Catalog No.
- 00429-2000-PsW2000-AmISuperficial?
- Title
- Am I Superficial?
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Year
- Technical Notes
“I tend not to listen to men.” – AC.
- Reflection Notes
Rijksakademie Internal Open Studios – 07.09.20. “I think my work is super awkward and I’m proud of it.” – SMW.
Close
00473-2002…
Photographs
Performance…
Elke Silvia Krystufek
2002
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00473-2002-PP-ElkeSandsEqualitiesEquivalence…
- Title
- Elke & Sands: Equalities, Equivalences
- Dimensions
- Variable
- Materials
- Live action
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Location: Sands and Robin’s old flat (Halmaheirastraat studio, Amsterdam).
- Reflection Notes
9 april 2020 (WeTransfer notes): “Okay, here are some of the most important works I’ve ever made: ‘Elke & Sands: Equalities, Equivalences’ from 2002 in a series of images taken by Robin in an old flat of ours in my studio there. It’s a wonder these ever were taken and I still love them.” – SMW.
Close
00505-2002…
Photographs
Performance…
Elke Silvia Krystufek
2002
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00505-2002-PP-ElkeSandsEqualitiesEquivalence…
- Title
- Elke & Sands: Equalities, Equivalences
- Dimensions
- Variable
- Materials
- Live action
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Location: Sands and Robin’s old flat (Halmaheirastraat studio, Amsterdam).
- Reflection Notes
9 april 2020 (WeTransfer notes): “Okay, here are some of the most important works I’ve ever made: ‘Elke & Sands: Equalities, Equivalences’ from 2002 in a series of images taken by Robin in an old flat of ours in my studio there. It’s a wonder these ever were taken and I still love them.” – SMW.
Close