2020

Listings connecting to the year “2020” (240)

Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01412-2020-MaPi-ConversationSandsAndRobin-002
  • Title
  • Conversation Sands and Robin
  • Dimensions
  • Variable
  • Materials
  • 5 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 24.07.20. Location: house Sands and Robin, Swammerdamstraat 4E, Amsterdam. Images taken right after a recorded conversation with Sands and Robin, featuring cat Duman, Robin and Sands on the couch, and self-portrait in mirror of Radna.

  • Reflection Notes

“The setting, how many cookies did we need? We had talked often throughout 2020, but the presence of a recorder made this a different kind of talk. I believe that the presence of a camera is for many people more ‘intruding’, and an audio recorder you forget after a while because it is less visible. But from the way Sands was speaking-precise, and making sure what to explain and what to reveal and what not-I knew the recording stayed on his mind.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01413-2020-MaPi-ConversationSandsAndRobin-003
  • Title
  • Conversation Sands and Robin
  • Dimensions
  • Variable
  • Materials
  • 5 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 24.07.20. Location: house Sands and Robin, Swammerdamstraat 4E, Amsterdam. Images taken right after a recorded conversation with Sands and Robin, featuring cat Duman, Robin and Sands on the couch, and self-portrait in mirror of Radna.

  • Reflection Notes

“The impulse to make a self-portrait right after the recording. The image as a record. Thinking of Sands his performalist self-portraits (see one of his Identity Shots on the wall). Thinking of Adrian Piper’s ‘Food for the Spirit’ mirror self-portraits. Since I am often in the role of the observer and recorder (the interviewer, but not the interviewee), I’m usually not present in the process images. The self-portrait as a way to share the person on ‘the other side’ of the microphone.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01414-2020-MaPi-ConversationSandsAndRobin-004
  • Title
  • Conversation Sands and Robin
  • Dimensions
  • Variable
  • Materials
  • 5 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 24.07.20. Location: house Sands and Robin, Swammerdamstraat 4E, Amsterdam. Images taken right after a recorded conversation with Sands and Robin, featuring cat Duman, Robin and Sands on the couch, and self-portrait in mirror of Radna.

  • Reflection Notes

“Sands and Robin together on the couch, a few minutes after I stopped recording. A bit tired after talking for 2 hours and 20 minutes, but also excited and happy-it felt like everyone in the room knew this was an important conversation somehow. SMW and RWM surrounded by works they have been collecting, and a framed drawing from Sands on the left.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01415-2020-MaPi-ConversationSandsAndRobin-005
  • Title
  • Conversation Sands and Robin
  • Dimensions
  • Variable
  • Materials
  • 5 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 24.07.20. Location: house Sands and Robin, Swammerdamstraat 4E, Amsterdam. Images taken right after a recorded conversation with Sands and Robin, featuring cat Duman, Robin and Sands on the couch, and self-portrait in mirror of Radna.

  • Reflection Notes

“Living room of SMW and RWM, where the triangle is present again: Carolee, Adrian, Hannah.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01416-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01417-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“Working on archiving Working 2000 drawings.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01418-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01419-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01420-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01421-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“Details of the Signature Collage, that would form a significant part of the exhibition ‘In Good Company (Horsepower)’ later at mistral.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01422-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“You can’t make work for a total public, because every viewer has a different approach. This is the kind of knowledge I’m mostly interested in, subjective and personal. My worst nightmare is when artists try to control their reception.” – SMW. “This makes me think of Adrian Piper who seems to do that a lot, and Megan mentions that indeed every work relating to her archive should be approved be her. Sands thinks there are two sides of the same coin when it comes to rigour, but that they might make a different-conscious- choice: to control reception or not at all, and ‘every artists makes their choice about how far they want to go and where is their limit’. From the meta-archive process diary, March 30, 2020. In the collaboration between Sands and Amalia, Amalia could have her own associations with the work, and write texts in the database as she pleased, Sands would not edit her. The conversations and weekly archiving sessions in the studio formed a relationship of trust.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01423-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01424-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“This became a new ritual, holding a painting or drawing together. This is one of the ‘working 2000s’ that has been archived and moved to mistral in an archive box. Sands has one of these pictures with each of the GSA collaborators. Image taken after a recorded conversation between SMW and AC, about their collaboration, feminism, looking back at the past months.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01425-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“A reminder on the door, to always remember perfume. When walking up the stairs to the studio, I could usually smell the perfume Sands was wearing.” – RR.

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Image of Studio object

  • Catalog No.
  • 01472-2020-C-AnalCollage(PRIDE&JOY)
  • Title
  • Anal Collage (PRIDE & JOY)
  • Dimensions
  • 100 x 200
  • Materials
  • Photo prints glued with plextol B500 on prepared linen canvas stretched on aluminium frame
  • Object Location
  • Physical
  • Technical Notes

Created during spring 2020 lockdown and only work to be assembled (glued to canvas) in the Rijks studio.

  • Reflection Notes

SMW & AC inventorying session – 08.10.20. “My work is quite flat, almost reductive or stripped down. It’s not a negative thing.” – SMW.

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