2020

Listings connecting to the year “2020” (240)

Image of Studio object

Photographer: Megan Hoetger

  • Catalog No.
  • 01398-2020-MaPi-HorseCloud-003
  • Title
  • Horse Cloud
  • Dimensions
  • Variable
  • Materials
  • 14 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.

  • Reflection Notes

Rijksakademie Internal Open Studios – 07.09.20. “Can you say more as a horse?” – N/A. “Yes. The ‘I’ is meta, you get all this reverberation somehow.” – SMW. “‘*****’ is my work name. It’s my horse.” – N/A.

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Image of Studio object

  • Catalog No.
  • 01480-2020-UbR-HybridHorseHeartsArchivingMar…
  • Title
  • Hybrid Horse Hearts Archiving Marathons (Rijks Edition)
  • Dimensions
  • Variable
  • Materials
  • Digital word document file
  • Object Location
  • Digital
  • Technical Notes

Text co-written by Amalia Calderón and Megan Hoetger for an archiving marathon series that was never realised due to pandemic conditions.

  • Reflection Notes

Rijksakademie Internal Open Studios – 07.09.20. “I used to be a horse-riding girl.” – Anon. “What happened?” – AC. “Drugs happened.” – Anon. “Drugs versus horses.” – AC.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01347-2020-MaPi-BottomingToTheTop-004
  • Title
  • Bottoming to the Top
  • Dimensions
  • Variable
  • Materials
  • 4 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 18.02.20. Location: Rijksakademie, studio manege. Images of SMW working in the studio. Image of a self-portrait. Image of a pink note from the Angelyne Fan Club on the wall, accompanied by a card saying 'bottoming to the top' (a gift from MH to SMW).

  • Reflection Notes

“In between, during shorts breaks we discuss Tony Cokes, and how Sands is attracted to these ‘clear messages’-a bold text on a screen, seemingly simple, effective, thinking as well of Lucy Lippard’s book ‘Get the message’ (1984).” From the meta-archive process diary. – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01378-2020-MaPi-HangingTime-032
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01410-2020-MaPi-HorseCloud-014
  • Title
  • Horse Cloud
  • Dimensions
  • Variable
  • Materials
  • 14 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.

  • Reflection Notes

“There is a gap in this diary but that doesn’t mean things didn’t happen.On March 6th the first process event took place, in a crowded studio, sitting with a beautiful sprawling horse cloud as the backdrop for a flowing conversation (with interesting questions from the audience), I remember how the temperature was literally rising. The video documentation + recording + notes that Amalia took can capture the event. It was also one of the last public events before the corona virus arrived seriously in The Netherlands, and evolved into a worldwide pandemic over the past few weeks, which brings us in a very different situation by now: we can’t meet in person, Sands didn’t go to the Rijksakademie anymore, Amalia moved back to her family in Spain for now, and also Megan works from home instead of the IICD office. How should we continue with this process-that for a large part is dependent on actual people, bodies, meeting in space to collaborate, have rose tea together, touch, measure and discuss the materials of Sands’ his studio.” From the meta-archive process diary. – RR.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01491-2020-DoP-ProcessEvent#1VALUE11
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital
  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01357-2020-MaPi-HangingTime-011
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01389-2020-MaPi-HangingTime-043
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01421-2020-MaPi-ConversationAmaliaAndSands-0…
  • Title
  • Conversation Amalia and Sands
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 27.08.20. Location: Rijksakademie, studio manege. Images taken before and after a recorded conversation with Sands and Amalia, featuring materials on the floor, Sands and Amalia holding a painting, and ‘denk aan parfum’ t-shirt at the door.

  • Reflection Notes

“Details of the Signature Collage, that would form a significant part of the exhibition ‘In Good Company (Horsepower)’ later at mistral.” – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01337-2020-MaPi-MoreUnrolling-004
  • Title
  • More Unrolling
  • Dimensions
  • Variable
  • Materials
  • 10 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 04.02.20. Location: Rijksakademie, studio manege. Images of SMW unpacking, measuring, photographing and ordering rolled-up painting works, featuring Sands standing on a table, a painting with a boa, and an example of bags in bags.

  • Reflection Notes

“Was there a precedent for queer body based arts in the Netherlands? Sands thinks of Fabiola; living as an art object, not performing per se, but having a performative presence. This presence might be in relation to the dress, wig etc Sands is thinking about wearing in September. Grayson Perry said: ‘your mistakes are your style’.” From the meta-archive process diary. – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01368-2020-MaPi-HangingTime-022
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

Close

Image of Studio object

Photographer: Megan Hoetger

  • Catalog No.
  • 01399-2020-MaPi-HorseCloud-004
  • Title
  • Horse Cloud
  • Dimensions
  • Variable
  • Materials
  • 14 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 04.03.20. Location: Rijksakademie, studio manege. Images of working on large horse cloud with SMW, MH and Amalia Calderón. First time GSA meeting with Amalia present, images of Sands and Amalia talking with poster of Hannah Wilke in the background.

  • Reflection Notes

Rijksakademie Internal Open Studios – 07.09.20. “The symbology of horses versus the real horses: some visitors would account feeling threatened, or being a horse whisperer, even their height came into play (the initial idea that popped into their minds would be a pony, or something small and nice).” – AC. “The horses are an anthropomorphic stand-in for humanity.” – SMW. “Are they though? Why do they stand for humans, and where do the horses inside the horse skin go?” – AC.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01481-2020-DoP-ProcessEvent#1VALUE01
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital
  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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Image of Studio object

Photographer: Megan Hoetger

  • Catalog No.
  • 01348-2020-MaPi-HangingTime-001
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

  • Reflection Notes

“This week is better reflected in images then in notes. There are many images, because this was a more ‘visual’, ‘hands on’ day. It was an important day, because we re-organised the studio a bit, to make space for the event of March 6th (that is fully booked), and for new works that have been waiting for a while to be hung in the space. In the meantime also a decision was made: Amalia Calderón will join the Gift Science Archive collaboration. Sands prepared the big airtex print with grommets. Roger came by to help. It was quite special to see the space transformed, with the big print on the wall now, different typologies (paintings, textile paintings, bags in bags) organized around the space.” From the meta-archive process diary. – RR.

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01379-2020-MaPi-HangingTime-033
  • Title
  • Hanging Time
  • Dimensions
  • Variable
  • Materials
  • 50 phone snapshots
  • Object Location
  • Digital
  • Technical Notes

Date: 25.02.20. Location: Rijksakademie, studio manege. Images of installation activities in the studio, with SMW, MH and Roger Cremers who assists with hanging a large vinyl print and the framed work dedicated to Carolee Schneemann. Unpacking materials. Sands holding a drawing with a clock and 'tyranny' text, a gift for Roger. The beginnings of making the horse cloud on the studio wall.

Close