Philosophical sketches emerge from periods of deep research
messy and chaotic
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layered with text, images (sometimes) and
often way too big for what they are – a confusion of what is imagined to be ‘valuable’
the conceptual and the compositional completely entangled.
Listings connecting to the typology “Philosophical sketches” (330)
00326-2000…
Philosophical…
Working 2000
2000
Image of Studio object
“I was so beaten up as a teenager that I could not stand up.” – SMW.
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00358-2000…
Philosophical…
Working 2000
2000
Image of Studio object
GSA inventorying session – 10.09.20. “I feel like a database, or a library. I have all this knowledge, all these pages I want to flip through, and I know all the words but I can’t look at them. I am blinded by my own collection of sources.” – AC.
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00390-c200…
Philosophical…
Working 2000
c. 2002
Image of Studio object
“If they encounter suffering, if it ain’t pretty… Someone said about Carolee’s work that it was not made to make you comfortable.” – SMW. “Art is never made for comfort. Quite the opposite. It’ s a quest for unknown things.” – AC. “And change.” – SMW. “They think ‘I just pull out’. Wonderful! Heterosexual practices and their fantasy of safety…” – AC.
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00201-c200…
Philosophical…
Working 2000
c. 2000
Image of Studio object
“I would have just disappeared, this work would have never been seen. It’s a weird feeling to look back.” – SMW.
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00235-2001…
Philosophical…
Working 2000
2001
Image of Studio object
Rijksakademie Internal Open Studios – 07.09.20. I wasn't raised to be shy or unshy, but I think my body is a way to communicate and to give back to the artists before me. I think a lot of times, men are not in communication with their bodies and the work of feminist artists. – SMW.
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00271-c200…
Philosophical…
Working 2000
Leonor Fini
c. 2001
Image of Studio object
Psychic self-portrait. ‘Love to you – Friday Kahlo’ note on the back of the paper.
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00303-2001…
Philosophical…
Working 2000
2001
Image of Studio object
April 3rd 2001.
SMW & AC inventorying session – 24.09.20. “One big thing you can do is talk about your experience of your own body.” – SMW.
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00337-2000…
Philosophical…
Working 2000
2000
Image of Studio object
“Any idea what the pink represents?” – AC. “Consciousness? Energy? *laughter* I guess I had to feel the head. It feels kind of trashy.” – SMW. “I guess that is the purpose.” – AC. “It is the purpose.” – SMW.
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00369-2002…
Philosophical…
Working 2000
2002
Image of Studio object
“If one person can fall in love with your art…” – AC. “That's why Robin is so important in my practice. He is a witness. I would finish something and run into the room to show him.” – SMW.
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00212-2000…
Philosophical…
Working 2000
2000
Image of Studio object
“I refuse to destroy things.” – SMW.
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00246-c200…
Philosophical…
Working 2000
c. 2001
Image of Studio object
Inventorying session + invited archivist (IA) meeting – 15.09.20. “It was all about boys clubs back then.” – SMW.
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00282-c200…
Philosophical…
Working 2000
c. 2001
Image of Studio object
“It would have been so weird that this would’ve been seen after I was dead, by someone who didn’t know what it was.” – SMW. “They are lively, and desperate, which I like.” – SMW.
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00316-2000…
Philosophical…
Working 2000
2000
Image of Studio object
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00348-2000…
Philosophical…
Working 2000
2000
Image of Studio object
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00380-c200…
Philosophical…
Working 2000
c. 2002
Image of Studio object
Cut in half. Guillotined.
“They would always ask, bring a picture. And I would just say ‘do whatever’.” – SMW.
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