Collage

A technique of accumulation often seen across SMW’s practice. Through an assemblage of different forms, SMW creates new form and new meaning.


Listings connecting to the typology “Collage” (87)



Image of Studio object

  • Catalog No.
  • 00098-1993/1995-C-SignatureCollage-077
  • Title
  • Signature Collage
  • Dimensions
  • 20.5 x 25
  • Materials
  • Black and white photo print
  • Object Location
  • Physical

  • Technical Notes

Self-printed. Wrote over the negatives. Three versions in different opacities.


  • Reflection Notes

“Kids were nasty when they found out I got a full scholarship.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00045-1993/1995-C-SignatureCollage-024
  • Title
  • Signature Collage
  • Dimensions
  • 10.5 x 15
  • Materials
  • Index card
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 00077-1993/1995-C-SignatureCollage-056
  • Title
  • Signature Collage
  • Dimensions
  • 26.5 x 22
  • Materials
  • Black and white photo print
  • Object Location
  • Physical

  • Technical Notes

Self-printed. With cut-outs.


  • Reflection Notes

“It’s necessary to have some money. It’s hard to know how I feel in the middle of doing something.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00056-1993/1995-C-SignatureCollage-035
  • Title
  • Signature Collage
  • Dimensions
  • 9 x 12.5
  • Materials
  • Color print and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Kansas landscape. There’s something romantic about the emptiness of space that I grew up in. Istory. Herstory. Horsestory. Horseterical.” – SMW and AC.

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Image of Studio object

  • Catalog No.
  • 00088-1993/1995-C-SignatureCollage-067
  • Title
  • Signature Collage
  • Dimensions
  • 9 x 12.5
  • Materials
  • Color print
  • Object Location
  • Physical

  • Reflection Notes

“Upside down, when you transfer the way things are to another dimension.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00067-1993/1995-C-SignatureCollage-046
  • Title
  • Signature Collage
  • Dimensions
  • 29.5 x 21
  • Materials
  • Photocopy and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Wilke with mom trying out wigs. ‘Your art mama’, Carolee would have hated that.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00099-1993/1995-C-SignatureCollage-078
  • Title
  • Signature Collage
  • Dimensions
  • 20.5 x 25
  • Materials
  • Black and white photo print
  • Object Location
  • Physical

  • Technical Notes

Self-printed. Three versions in different opacities.


  • Reflection Notes

“I think I look like a tortured religious figure. Which tortured figured could you be? Online quizzes on which historical gay figure, lesbian trope you are.” – SMW with AC.

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Image of Studio object

  • Catalog No.
  • 00046-1993/1995-C-SignatureCollage-025
  • Title
  • Signature Collage
  • Dimensions
  • 9 x 12.5
  • Materials
  • Color print and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

Inventorying session + invited archivist (IA) meeting – 15.09.20. “I’m kind of counting on magic. Gift magic. Gift science magic. This is our kind of methodology.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00078-1993/1995-C-SignatureCollage-057
  • Title
  • Signature Collage
  • Dimensions
  • 25 x 18.5
  • Materials
  • Black and white photo print and oil crayon
  • Object Location
  • Physical

  • Technical Notes

Self-printed.


  • Reflection Notes

“Pancake restaurant with HUGE cakes (something like 5 dinner plates big!). Could eat for the next few days. Photo taken when visited with mother.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00057-1993/1995-C-SignatureCollage-036
  • Title
  • Signature Collage
  • Dimensions
  • 29.5 x 21
  • Materials
  • Photocopy and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Hannah Wilke. One thing I learnt from her was to be my own art historian and cheering section. Self-narcissism when no one is looking at you.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00089-1993/1995-C-SignatureCollage-068
  • Title
  • Signature Collage
  • Dimensions
  • 15 x 11
  • Materials
  • Exhibition invitation card
  • Object Location
  • Physical

  • Reflection Notes

“These people drinking champagne with the pictures of Hannah (Wilke) dying behind them. But it's not like they didn't care, they we also mourning. This has happened with other artists/authors, they died just before you found them, it feels like you missed them by a second.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00100-1993/1995-C-SignatureCollage-079
  • Title
  • Signature Collage
  • Dimensions
  • 12.5 x 20.5
  • Materials
  • Black and white photo print
  • Object Location
  • Physical

  • Technical Notes

Self-printed. Three versions in different opacities.

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Image of Studio object

  • Catalog No.
  • 00047-1993/1995-C-SignatureCollage-026
  • Title
  • Signature Collage
  • Dimensions
  • 9 x 12.5
  • Materials
  • Color print and oil crayon
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 00079-1993/1995-C-SignatureCollage-058
  • Title
  • Signature Collage
  • Dimensions
  • 9 x 12.5
  • Materials
  • Photo print
  • Object Location
  • Physical

  • Reflection Notes

“There is no content. It’s just aesthetics. As if practice itself is an elite state of mind.” – SMW.

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Image of Studio object

  • Catalog No.
  • 00068-1993/1995-C-SignatureCollage-047
  • Title
  • Signature Collage
  • Dimensions
  • 29.5 x 21
  • Materials
  • Photocopy and oil crayon
  • Object Location
  • Physical

  • Reflection Notes

“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” – SMW.

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