A technique of accumulation often seen across SMW’s practice. Through an assemblage of different forms, SMW creates new form and new meaning.
Listings connecting to the typology “Collage” (87)
00098-1993…
Collage
1993-1995
Image of Studio object
Self-printed. Wrote over the negatives. Three versions in different opacities.
“Kids were nasty when they found out I got a full scholarship.” – SMW.
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00045-1993…
Collage
1993-1995
Image of Studio object
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00077-1993…
Collage
Hannah Höch
1993-1995
Image of Studio object
Self-printed. With cut-outs.
“It’s necessary to have some money. It’s hard to know how I feel in the middle of doing something.” – SMW.
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00056-1993…
Collage
1993-1995
Image of Studio object
“Kansas landscape. There’s something romantic about the emptiness of space that I grew up in. Istory. Herstory. Horsestory. Horseterical.” – SMW and AC.
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00088-1993…
Collage
1993-1995
Image of Studio object
“Upside down, when you transfer the way things are to another dimension.” – SMW.
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00067-1993…
Collage
1993-1995
Image of Studio object
“Wilke with mom trying out wigs. ‘Your art mama’, Carolee would have hated that.” – SMW.
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00099-1993…
Collage
1993-1995
Image of Studio object
Self-printed. Three versions in different opacities.
“I think I look like a tortured religious figure. Which tortured figured could you be? Online quizzes on which historical gay figure, lesbian trope you are.” – SMW with AC.
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00046-1993…
Collage
1993-1995
Image of Studio object
Inventorying session + invited archivist (IA) meeting – 15.09.20. “I’m kind of counting on magic. Gift magic. Gift science magic. This is our kind of methodology.” – SMW.
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00078-1993…
Collage
Mrs. Murray
1993-1995
Image of Studio object
Self-printed.
“Pancake restaurant with HUGE cakes (something like 5 dinner plates big!). Could eat for the next few days. Photo taken when visited with mother.” – SMW.
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00057-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
“Hannah Wilke. One thing I learnt from her was to be my own art historian and cheering section. Self-narcissism when no one is looking at you.” – SMW.
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00089-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
“These people drinking champagne with the pictures of Hannah (Wilke) dying behind them. But it's not like they didn't care, they we also mourning. This has happened with other artists/authors, they died just before you found them, it feels like you missed them by a second.” – SMW.
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00100-1993…
Collage
1993-1995
Image of Studio object
Self-printed. Three versions in different opacities.
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00047-1993…
Collage
1993-1995
Image of Studio object
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00079-1993…
Collage
1993-1995
Image of Studio object
“There is no content. It’s just aesthetics. As if practice itself is an elite state of mind.” – SMW.
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00068-1993…
Collage
Carolee Schneemann,…
1993-1995
Image of Studio object
“Performalist. It’s funny when your image becomes part of your work. Hannah did it because she was beautiful and that was troublesome for feminists, they thought it was easy, but it wasn’t. I’ve been objectified in different ways – my face not being good enough, always commenting on my weight (I think the unusual bits of me are part of what make me queer). Who makes them entitled to someone else’s physicality? Carolee always told me to go where the difficulty is, and that is (my) physicality. So, I made it central because people thought it was important somehow to draw my attention to. Sometimes I wish I could have been more handsome but then that was all I would’ve been known as. I can bridge the more and less beautiful.” – SMW.
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