A technique of accumulation often seen across SMW’s practice. Through an assemblage of different forms, SMW creates new form and new meaning.
Listings connecting to the typology “Collage” (87)
00058-1993…
Collage
1993-1995
Image of Studio object
Self-printed.
“Self-portrait reading a porno magazine; taken with a timer in studio at Pratt (NY). When I met Carolee she asked was was my obssession. I said ‘sex and shit’. She told me to make 20 drawings in a week. They are all in Kansas. The materials are in the background. Porno on the floor.” – SMW.
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00090-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
“Wilke SOS series. I tried to emulate this with ‘Before Robin, After Hannah Wilke’. Robotic presence in this system (of archiving).” – SMW.
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00069-1993…
Collage
Carl Andre
1993-1995
Image of Studio object
“Carl Andre shows up more than I’m comfortable with… I guess it’s something about the persistence of patriarchy and the need to keep marking over it…” – SMW as paraphrased by MH.
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00101-1993…
Collage
1993-1995
Image of Studio object
Parts: A, B, C, D, E, F, G.
“Some meanings shouldn’t be translatable. Culturally hetero, mystified.” – SMW with AC.
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00048-1993…
Collage
1993-1995
Image of Studio object
Self-printed.
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00080-1993…
Collage
Han Schuil
1993-1995
Image of Studio object
Invitation card for an exhibition at Ondrust Gallery (Amsterdam) with handwritten note from De Ateliers director of the time.
Inventorying session – 27.08.20. “I know it's not Lorca, but for me he is. I was distracted. I am not much into philosophers. Yeah, Aby Warburg and Walter Benjamin. Everybody idolised them, so I stayed away from them.” – SMW.
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00059-1993…
Collage
1993-1995
Image of Studio object
“Backyard in Kansas, sister (Laura) and dog (Zoe).” – SMW.
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00091-1993…
Collage
Carl Andre
1993-1995
Image of Studio object
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00070-1993…
Collage
1993-1995
Image of Studio object
Delft blue.
“Significance of where am I?” – SMW.
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00192-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
Shown on left: “Marxism and Art Beware of Fascist Feminist”. Shown on right: “Having a Talent is Worth Much Unless You Know What To Do With It” (a proposal for a SVA recruitment poster that was not accepted).
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00049-1993…
Collage
Paul Laufer
1993-1995
Image of Studio object
Self-printed. Zaal De Unie, Rotterdam.
“That was my first exhibition – my bedroom. Ended up performing there with Carolee 16 years later. At that time I had no idea I would be working with her in that way. Spatial memory. Always trying to teach my friend something.” – SMW and AC.
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00081-1993…
Collage
Mrs. Murray
1993-1995
Image of Studio object
Self-printed.
“I never thought I would have any help with anything.” – SMW.
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00060-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
“Hannah Wilke and Selma Butter. To relate her body to her mother’s body. Intergenerational flux of art and bodies. We are all in our own timelines, and we overlap or parallel with each other. Me is just lonely.” – AC and SMW.
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00071-1993…
Collage
Hannah Wilke
1993-1995
Image of Studio object
Hannah Wilke and her mother, Selma Butter.
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00092-1993…
Collage
1993-1995
Image of Studio object
Taken in Brooklyn.
“You can’t escape white culture, but it’s worth pursuing the idea as a method, specially for white people. I’m privileged and white, but that is not the end of the conversation. What comes after is much harder. I am not above privilege but I need to speak of it. Crushed under the wave of history, and old people. The expectation to live up to the work that has been done, without causing damage. Is that even possible? Positionality of the artist in history.” – SMW with AC.
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