Documentation of performance

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.

Presentation for the If I Can’t Dance Edition VIII – Ritual and Display Introductory Kick-Off Weekend. The artist’s textile paintings adorn the space throughout the weekend. Here, he shares on his multimedia practice, concentrating on its early beginnings in 1993, in a slide show that makes clear his reliance on feminist figures like Carolee Schneeman, Hannah Wilke and Adrian Piper. He then dances before a dual projection – Schneemann video and footage from his studio – in and out of step with ‘Starlight’ by The Supermen Lovers.