Dream

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Printed transcripts of five conversations initiated and recorded by Radna Rumping between October 2019 and August 2020 as part of the Gift Science Archive ‘meta-archive’; transcribed and translated for ‘In Good Company (Horsepower)’ by Martha Jager with design by Karoline Świeżyński.

Printed transcripts of five conversations initiated and recorded by Radna Rumping between October 2019 and August 2020 as part of the Gift Science Archive ‘meta-archive’; transcribed and translated for ‘In Good Company (Horsepower)’ by Martha Jager with design by Karoline Świeżyński.

Printed transcripts of five conversations initiated and recorded by Radna Rumping between October 2019 and August 2020 as part of the Gift Science Archive ‘meta-archive’; transcribed and translated for ‘In Good Company (Horsepower)’ by Martha Jager with design by Karoline Świeżyński.

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’, which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’ which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

“An aspect of the meta-archive, which includes a series of longer recorded conversations initiated by RR (with Sands, with Sands and Amalia Calderón and with Sands and Robin Wassink-Murray), which aimed to capture ideas about value, structure, and care for an artistic practice, as well as providing plenty of space for sharing references, gossip, and ‘information’ – one of Sands’ main materials. These seven hours of interviews – some in Dutch and some in English – are all in their unedited richness part of the meta-archive, both as audio recordings and transcriptions (translations and transcriptions by Martha Jager).” – RR.

“An aspect of the meta-archive, which includes a series of longer recorded conversations initiated by RR (with Sands, with Sands and Amalia Calderón and with Sands and Robin Wassink-Murray), which aimed to capture ideas about value, structure, and care for an artistic practice, as well as providing plenty of space for sharing references, gossip, and ‘information’ – one of Sands’ main materials. These seven hours of interviews – some in Dutch and some in English – are all in their unedited richness part of the meta-archive, both as audio recordings and transcriptions (translations and transcriptions by Martha Jager).” – RR.

“An aspect of the meta-archive, which includes a series of longer recorded conversations initiated by RR (with Sands, with Sands and Amalia Calderón and with Sands and Robin Wassink-Murray), which aimed to capture ideas about value, structure, and care for an artistic practice, as well as providing plenty of space for sharing references, gossip, and ‘information’ – one of Sands’ main materials. These seven hours of interviews – some in Dutch and some in English – are all in their unedited richness part of the meta-archive, both as audio recordings and transcriptions (translations and transcriptions by Martha Jager).” – RR.