Negative irritations maximised.
Who do these people think they are?
Our meat-wrapping is often insufficient.
Is our “Tryout Masculinity” insufficient?
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Cease and desist, or light up your own fires.
Friction as fuel.
Tips for purpose.
A body for the push.
/////
Discomfort at art institutions. Discomfort at the edges of your own body. Discomfort at a market in which you are marked “an apolitical commodity”. Discomfort at the loss of becoming, at genderbending for the first time. Discomfort at the paying of dues to all of those who got naked before us. Discomfort at state-funded artivist organizations that make you feel unwelcome. Discomfort at irritated heteronormativity, at your own inner oppressive discourses. Discomfort as gasoline to blast a fire that burns good-hearted tips into a sculptural claim.
One foot inside of the Rijksakademie and one outside. – AC.
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“I was so beaten up as a teenager that I could not stand up.” – SMW.
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Email from lawyer.
“I/we found VALIE’s email to me from 2004, please find it attached for archiving eventually. In the archive we should blur or censor VALIE’s personal email address of course. This is just for you, now, for your eyes only… (James Bond’s theme tune runs through my head… :)” – SMW.
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Photographer: Robin Wassink-Murray
Video documentation of performance (color video with sound, 37:37) // duration of performance: 37:37. Performance Date: 11 September 2005. Event: ‘When the Lady Talks’. Location: Arminius Church Rotterdam.
From 17. April 2020 (WeTransfer notes): “I get naked at around 6:39 on the video… first naked performance, untitled I think, where I was so nervous that I drank an entire bottle of red wine before I went on and could barely speak. I am wearing the dress by Karl Lagerfeld for H&M that Radna also has :) And the long black coat is meant to reference Hannah Wilke's performance https://www.eai.org/titles/int... and simultaneously the Blackgama images I commented on in Whatsapp: http://www.blackglama.com/camp...” – SMW.
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Photographer: Robin Wassink-Murray
Location: Peter Brandt’s Apartment Copenhagen, Denmark (21 August 2009). Images by: Double Performalist Self Portraits together with Robin Wassink-Murray.
8 april 2020 (WeTransfer notes): “‘Tryout Masculinity Venus Envy Shots’ by me and www.peter-brandt.com in Copenhagen taken by Robin on this same trip to Denmark in 2009. Robin took these in Peter’s studio in his apartment. I’ve broken my friendship with Peter for various reasons which we can talk about. But these pictures are the only pix I have with another male body artist of this nature.” – SMW.
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Archiving tips sent to SMW by Adrian Piper via email in 2012 in response to photographs of SMW’s studio shared with Piper.
“(We had) To put AP’s tips to the test.” – SMW.
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Text co-written by Amalia Calderón and Megan Hoetger for a proposed collaboration with Vondelbunker as part of the GSA archiving marathon series, which was never realised due to pandemic conditions and the lack of interest by the artistic committee of the Vondelbunker.
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“Did I ask for your opinion? Stay in your body.” – AC. “Stay in your lane.” – SMW.
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The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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Listings connecting to the keyword “Discomfort” (546)
01435-2000…
Philosophical…
Working 2000
Divine
2000
Image of Studio object
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01513-2012…
Philosophical…
Working 2010s
2012
Image of Studio object
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02205-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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02237-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02269-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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02301-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
Close
02333-c201…
Thought works
Gai Pied drawings
A.A. Bronson, Albert van…
c. 2015
Image of Studio object
The pages are yellowed and cracked with age. Dutch Curator Erik Hagoort gave SMW a few huge boxes of these French gay liberation magazines from the 80s, and SMW intuitively started painting on them. There are many more than those listed in the archive.
“I had to throw away a lot of these, there were also Dutch gay liberation magazines in the boxes Erik Hagoort gave me, called ‘De Verkeerde Krant’ or so, (‘van de verkeerde kant’ was a Dutch saying for a queer person) but due to storage I could not keep everything as a resource to use. There are hundreds of these painted drawings, and they get quite a good response. Paul Thek = newspaper paintings, Karen Finley = same as Paul Thek, Erik Hagoort is the partner of Dutch artist Albert van Westing and AA Bronson showed a fondness for the drawings.” – SMW.
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00199-c200…
Philosophical…
Working 2000
c. 2000
Image of Studio object
“When I speak with you (AC), I remember how it was to be your age and how older artists treated me.” – SMW. “It's important to not say the smart things. That's the point, if we all saw the same things... just shoot me.” – SMW and AC.
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00233-2000…
Philosophical…
Working 2000
2000
Image of Studio object
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00270-c200…
Philosophical…
Working 2000
Frida Kahlo
c. 2001
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Gift Science Archive meeting – 20.08.20. “Fragmentary tales connect the works intuitively.” – AC.
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00302-c200…
Philosophical…
Working 2000
c. 2001
Image of Studio object
Rijksakademie Internal Open Studios – 07.09.20. “What does it give you to archive?” – Anon. “It gives almost a sense of accomplishment of how much there is, but also what it is. Nobody was interested before, and it requires persistence to keep going.” – SMW. “A victory (to keep going).” – Anon. “I feel that sometimes the artist gets forgotten. The work overrides it.” – SMW. “To get lost in art can destroy art?” – AC.
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00336-2000…
Philosophical…
Working 2000
2000
Image of Studio object
GSA inventorying session – 10.09.20. “They associate themselves with the rich because it helps them with their dreams of upward social mobility.” – MH.
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00368-2002…
Philosophical…
Working 2000
2002
Image of Studio object
‘Post media’ on the back.
“I pay attention to things that I wouldn’t if I wasn’t archiving. I would want to trash them. But we work with what we’ve got.” – SMW.
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00401-2000…
Philosophical…
Working 2000
2000
Image of Studio object
“All this archiving… I think it is also a form of self-care.” – SMW.
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00454-c200…
Philosophical…
Working 2000
c. 2000
Image of Studio object
“I’m like the artist’s artist fan. So I pay attention.” – SMW
MH & AC meeting – 15.03.21. “Not really a keyword but it is in ‘Sandsland’.” – MH.
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