Francis Bacon

When I was first learning about being an artist, I was thinking about Bacon. – SMW.

Listings connecting to the social link “Francis Bacon” (2)

Image of Studio object

  • Catalog No.
  • 02019-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #72
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital
  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.

  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

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Image of Studio object

  • Catalog No.
  • 02029-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #82
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital
  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.

  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close