Slides

Probably 500+ loose slides starting in the early 90s and going into the early 2000s. Ephemera of this sort is sold, signed or not, as work by secondhand sellers, of Carolee Schneemann’s work for instance. About 150 of the earliest and most precious slides have been digitised and are now also part of the digital archive. – SMW.

Earlier in the “application” package, slides of the work always required, so, at a point, SMW decided to start using slide film only. Then, as a body artist, any photo could then be used as work for the applications. – MH.


Listings connecting to the typology “Slides” (157)



Image of Studio object

  • Catalog No.
  • 01968-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #22
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

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Image of Studio object

  • Catalog No.
  • 02000-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #53
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

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Image of Studio object

  • Catalog No.
  • 02032-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #85
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02064-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #117
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02096-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #149
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01979-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #33
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02011-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #64
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02043-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #96
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02075-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #128
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01958-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #12
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01990-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #44
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02022-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #75
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02054-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #107
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 02086-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #139
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01969-1993/1995/2019-S-UnlabelledDigitizedSl…
  • Title
  • Unlabelled Digitized Slide #23
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.


  • Reflection Notes

“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.

Close