Dream

PLEASURE. delicious. energy. fun.



Image of Studio object

  • Catalog No.
  • 01248-c2000-PsW2000-DreamWorld
  • Title
  • Dream World
  • Dimensions
  • 42 x 59
  • Materials
  • Poster marker on paper
  • Object Location
  • Physical

  • Reflection Notes

SMW & AC inventorying session – 03.09.20. “Dream a little dream of me is my Carolee song.” – SMW. SMW & AC inventorying session – 24.09.20. “I was distracted by the dream of…” – SMW. “The story?” – AC. “Sex.” – SMW.

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Listings connecting to the keyword “Dream” (2393)



Image of Studio object

  • Catalog No.
  • 01772-2013-PsW2010s-BehindTheScenes
  • Title
  • Behind the Scenes
  • Dimensions
  • 50 x 65
  • Materials
  • Permanent marker and acrylic paint on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 01773-c2013-PsW2010s-Dumbass
  • Title
  • Dumbass
  • Dimensions
  • 50 x 65
  • Materials
  • Acrylic paint on paper
  • Object Location
  • Physical

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Image of Studio object

  • Catalog No.
  • 01774-2013-PsW2010s-Fabiola:R.I.P.
  • Title
  • Fabiola: R.I.P.
  • Dimensions
  • 50 x 65
  • Materials
  • Permanent marker and acrylic paint on paper
  • Object Location
  • Physical

  • Reflection Notes

“Memorialising the death of Fabiola, a queer icon in Amsterdam and the one person SMW would point to if someone asked about influences here in NL.” – MH.

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Image of Studio object

  • Catalog No.
  • 01768-2013-PsW2010s-StrictAndSpecific
  • Title
  • Strict and Specific
  • Dimensions
  • 50 x 65
  • Materials
  • Acrylic paint on paper
  • Object Location
  • Physical

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01763-2021-DoP-InGoodCompany07
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01764-2021-DoP-InGoodCompany08
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01765-2021-DoP-InGoodCompany09
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01766-2021-DoP-InGoodCompany10
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

  • Catalog No.
  • 01767-2013-PsW2010s-NeedlesslyComplicated
  • Title
  • Needlessly complicated
  • Dimensions
  • 50 x 65
  • Materials
  • Acrylic paint on paper
  • Object Location
  • Physical

  • Reflection Notes

A bit like a rolled painting.

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01762-2021-DoP-InGoodCompany06
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Radna Rumping

  • Catalog No.
  • 01758-2020-MaPi-DistanceMeeting02
  • Title
  • Distance Meeting
  • Dimensions
  • Variable
  • Materials
  • 9 phone snapshots
  • Object Location
  • Digital

  • Technical Notes

Date: 26 June 2020. Location: Rijksakademie, studio manege.


  • Reflection Notes

“Because tea was essential. The mug says on the other side: ‘It’s a Schneemann thing, you wouldn’t understand’ and shows a picture of Carolee Schneemann with a cats hat. Sands made the mug himself through print on demand at Hema.” – RR.

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Image of Studio object

Photographer: Megan Hoetger

  • Catalog No.
  • 01755-2021-MaPi-MakingInGoodCompany89
  • Title
  • Making In Good Company
  • Dimensions
  • Variable
  • Materials
  • 93 phone snapshots
  • Object Location
  • Digital

  • Technical Notes

Date: 22 February-5 March, 2021. Location: mistral, Amsterdam (Pakhuis Wilhelmina).

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01759-2021-DoP-InGoodCompany03
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

Close



Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01760-2021-DoP-InGoodCompany04
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

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Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01761-2021-DoP-InGoodCompany05
  • Title
  • In Good Company (Horsepower): Materials from the Gift Science Archive
  • Dimensions
  • Variable
  • Materials
  • Live action
  • Object Location
  • Digital

  • Technical Notes

Photos from the virtual opening of SMW solo exhibition at mistral, Amsterdam (2021). The exhibition opens up the process of the ‘monumental’ 18-month collaborative performance Gift Science Archive (GSA) to the public for haptic engagements with the artist’s working and archiving processes. Visitors are invited to peruse the GSA archive database and to pull materials from the collection for a closer look and, over a cup, for a story. The ‘research experience’ is thus set into relational motion, by conversations – a central part of Murray-Wassink’s practice. Co-curated by Megan Hoetger (If I Can’t Dance) together with Radna Rumping and Huib Haye van der Werf (mistral).

Close