A sub-typology of the Slides.
Listings connecting to the sub typology “Painting” (31)
02050-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
01992-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02032-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02053-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
01995-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02034-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02054-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
01999-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02035-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02055-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02002-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02036-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02073-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02003-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close
02037-1993…
Slides
Painting
1993-1995/2019
Image of Studio object
Documentation of SMW’s earliest mature works, which were digitized on occasion of the If I Can’t Dance Kick-off Introductory event and used in SMW’s ‘Up To And Including His Limits’ lecture performance (October 2019). *Note: images can be printed or made into photo-objects upon request.
“These are indeed my earliest works that I have documents of. I had some even earlier works that are with my parents in Topeka, Kansas. A lot of this digitized work is there too. It’s mainly from the period at Pratt Institute, also when Carolee Schneemann was my teacher. It was a super hard period, but out of it came this for me diamond like work. Some of these bleed into time at the Rietveld Academie and De Ateliers in the very first four months I was there and into 1995. I still count these works as being very foundational to what I do and who I am. When I sell from this period the work is more expensive than work I am making now.” – SMW.
Close