Tracey Emin
Listings connecting to the social link “Tracey Emin” (65)
02159-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02159-1995/1998-TwLd-HowToDraw
- Title
- How to draw
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
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02158-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02158-1995/1998-TwLd-ISaid
- Title
- I said
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02157-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02157-1995/1998-TwLd-LetTheRest
- Title
- Let the rest
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02156-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02156-1995/1998-TwLd-CallMe
- Title
- Call Me
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02155-1995…
Thought works
Lists, Letterhead…
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02155-1995/1998-TwLd-TheOrderOfThoughts
- Title
- The order of thoughts
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02154-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02154-1995/1998-TwLd-AMattress
- Title
- A Mattress
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02153-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02153-1995/1998-TwLd-GoedGedrag
- Title
- Goed Gedrag
- Dimensions
- 29.5 x 21
- Materials
- Scented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02152-1995…
Thought works
Letterhead Drawings
Pam Butler, Tracey Emin
1995-1998
Image of Studio object
- Catalog No.
- 02152-1995/1998-TwLd-BestInBed
- Title
- Best in bed
- Dimensions
- 29.5 x 21
- Materials
- Spacented marker on A4 stationary
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Like the horse drawings, the letterhead drawings are not always on letterhead, but share amongst them use of the handwritten text.
- Reflection Notes
“I printed this stationary to use for my business, but never really used it for that. I used it to start making drawings on. My Mom had sent me fruit scented markers with animals printed on them, which I had used in my childhood. I used these to make the drawings, declarative statements to find my way.” – SMW.
Close
02149-c201…
Thought works
Computer Drawings
Barbara Kruger, Elke…
c. 2014
Image of Studio object
- Catalog No.
- 02149-c2014-TwCd-AWeirdPerson
- Title
- A Weird Person
- Dimensions
- Variable
- Materials
- Digital word document file
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Some of the computer drawings have been printed and other have not. All could be printed at any scale in any material upon request.
- Reflection Notes
“An elegant and typically strange solution for making work, which I was very proud of. I just type in a word document and print on cheap A4 printer paper. ‘Pure text, message as image’.” – SMW.
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01789-c201…
Philosophical…
Working 2010s
Sarah Lucas, Tracey Emin
c. 2014
Image of Studio object
- Catalog No.
- 01789-c2014-PsW2010s-Confidence
- Title
- Confidence
- Dimensions
- 50 x 65
- Materials
- Acrylic paint on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
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01485-2020…
Photographs
Documentation of…
Tracey Emin, Vivian van…
2020
Image of Studio object
Photographer: Silvia Ulloa Márquez
- Catalog No.
- 01485-2020-DoP-ProcessEvent#1VALUE05
- Title
- Process Event #1: VALUE. What is trash? What is trashy but valuable?
- Dimensions
- Variable
- Materials
- Digital image file
- Object Location
- Digital
- Typology
- Sub-typology
- Social link(s)
- Year
- Technical Notes
In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.
- Reflection Notes
SMW & AC inventorying session – 08.10.20. “Part of the reason I’m not more confident is because I don’t have money. If I knew anything in this room had economic value… Tracy Emin has a waiting list. Imagine.” – SMW. “I think I would hate them [the buyers].” – AC.
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01426-2000…
Philosophical…
Working 2000
Jean Genet, Tracey Emin
2000
Image of Studio object
- Catalog No.
- 01426-2000-PsW2000-HomosexualMaleArtistdom
- Title
- Homosexual Male Artistdom (the Spine as a Limb)
- Dimensions
- 42 x 59
- Materials
- Poster marker on paper
- Object Location
- Physical
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
‘Accepting American manhood and homosexual male artistdom. The spine as a limb’ (verso).
- Reflection Notes
“About solitude. very fragile. Tracy Emin scrawled figures… in a way. She’d probably be appalled by the comparison.” – SMW paraphrased by MH.
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01321-2020…
Meta-archive
Process image
Tracey Emin
2020
Image of Studio object
Photographer: Radna Rumping
- Catalog No.
- 01321-2020-MaPi-ShabbyChic-006
- Title
- Shabby Chic
- Dimensions
- Variable
- Materials
- 18 phone snapshots
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Date: 28.01.20. Location: Rijksakademie, studio manege. Images of SMW and MH unpacking, measuring, photographing and ordering rolled-up painting works. Images of the large print of e-mail from Adrian Piper with archiving tips on the wall.
- Reflection Notes
“By just picking a few of the paintings randomly from the stack of rolls we immediately discover different strands of Sands’ work and history; such as a rough painting that Sands send to Tracy Emin, that she returned by mail, in 2009: ‘It’s a rough painting to test if Tracy could deal with it, and obviously she couldn’t. It looks like it has been kicked and smashed. I have given Tracy so much of my loyalty-maybe too much?’.” From the meta-archive process diary. – RR.
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00547-2002…
Photographs
Performance…
Tracey Emin
2002
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00547-2002-PP-TraceyAndSands-003
- Title
- Tracey and Sands
- Dimensions
- Variable
- Materials
- Variable
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Location: Stedelijk Museum, Amsterdam (dinner after opening, Westergasfabriek, Amsterdam).
- Reflection Notes
9 April 2020 (WeTransfer notes): “Here are also three images with Tracey Emin from I think 2002 (I have to check this but we could provisionally say from that year, might have been earlier like 2000… ? It’s 2002 here is the link: https://www.stedelijk.nl/nl/te... ). One image is with her dealer/gallerist Jay Jopling in the background censored :))” – SMW.
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00546-2002…
Photographs
Performance…
Tracey Emin
2002
Image of Studio object
Photographer: Robin Wassink-Murray
- Catalog No.
- 00546-2002-PP-TraceyAndSands-002
- Title
- Tracey and Sands
- Dimensions
- Variable
- Materials
- Variable
- Object Location
- Digital
- Typology
- Sub-typology
- Grouping of work
- Social link(s)
- Year
- Technical Notes
Location: Stedelijk Museum, Amsterdam (dinner after opening, Westergasfabriek, Amsterdam).
- Reflection Notes
9 April 2020 (WeTransfer notes): “Here are also three images with Tracey Emin from I think 2002 (I have to check this but we could provisionally say from that year, might have been earlier like 2000… ? It’s 2002 here is the link: https://www.stedelijk.nl/nl/te... ). One image is with her dealer/gallerist Jay Jopling in the background censored :))” – SMW.
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