Photographs

From 12. April 2020 (WeTransfer notes): “they are a bit too close for me to properly ‘judge’, they are a bit neutral for me. Carolee always told me to go to where the difficulty was, and somehow my face has always been a challenging situation.” – SMW. 30. April 2020 (inventory note): “I also think of Jo Spence, the British artist, being told she was ‘brave’ for using her own image when she was not classically beautiful. And Carolee Schneemann and Hannah Wilke subverting the ‘ideal image’. I feel somewhere in between as I swing between ‘more ideal’ and ‘less ideal’.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

Email exchange – 16.11.20. “The early to mid-90s 1993 1994 1995 are crucial and formative, and then the years when I took up painting as a structural challenge to the world: 2009 and 2010 and 2011.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

‘Official Ugly Face Folder’ (2013) — from 12. April 2020 (WeTransfer notes): “It’s a mixed bag, but could be kept together in the archive and labelled as such (‘Ugly Face Folder’). It’s all subjective, what seems ugly when one looks at oneself. This was an attempt at ‘control’ almost by calling the images ugly I could somehow ameliorate the ‘ugliness’ I felt looking at them.” – SMW.

SMW & AC inventorying session – 08.10.20. “I was a bit ashamed of having a full scholarship because they told me I was not a good realist painter […] I’ve always been shy about anything that I have, be it intellect or whatever […] Gender-fuck […] The computer remembered, as they do.” – SMW.

From 12. April 2020 (WeTransfer notes): “they are a bit too close for me to properly ‘judge’, they are a bit neutral for me. Carolee always told me to go to where the difficulty was, and somehow my face has always been a challenging situation.” – SMW. 30. April 2020 (inventory note): “I also think of Jo Spence, the British artist, being told she was ‘brave’ for using her own image when she was not classically beautiful. And Carolee Schneemann and Hannah Wilke subverting the ‘ideal image’. I feel somewhere in between as I swing between ‘more ideal’ and ‘less ideal’.” – SMW.