Photographs

Documentation method.

Photography as a tool for bearing witness, but also SMW is approaching subjects – especially the self – as a photographer à la Hannah Wilke (MH synthesis of conversation with SMW).


Listings connecting to the typology “Photographs” (1171)



Image of Studio object

Photographer: Robin Wassink-Murray

  • Catalog No.
  • 01936-2021-DoP-InGoodCompany56
  • Title
  • In Good Company virtual tour
  • Dimensions
  • Variable
  • Materials
  • Digital registration of live action
  • Object Location
  • Digital

  • Technical Notes

Closing virtual tour of the exhibition ‘In Good Company (Horsepower): Materials from the Gift Science Archive, 1993-present’, which was lead by the artist and If I Can’t Dance curator Megan Hoetger. 21 May 2021, 17.00-18.30hr. mistral, Amsterdam, corner Groenhoedenveem – Veemkade (Pakhuis Wilhelmina).

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Image of Studio object

  • Catalog No.
  • 01937-1995/2007-PO-TryoutWallpaper01
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01938-1995/2007-PO-TryoutWallpaper02
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

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Image of Studio object

  • Catalog No.
  • 01939-1995/2007-PO-TryoutWallpaper03
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01940-1995/2007-PO-TryoutWallpaper04
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01941-1995/2007-PO-TryoutWallpaper05
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01942-1995/2007-PO-TryoutWallpaper06
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

Close



Image of Studio object

  • Catalog No.
  • 01943-1995/2007-PO-TryoutWallpaper07
  • Title
  • Gay Pornographic Modeling Tryout Wallpaper
  • Dimensions
  • Each strip 350 x 45,5
  • Materials
  • 8 strips of wallpaper
  • Object Location
  • Physical

  • Technical Notes

8 strips were originally made; one strip is now with the Estate of Carolee Schneemann and one strip is in the personal collection of A.A. Bronson.


  • Reflection Notes

“The images were taken by Rudy Rijling in Amsterdam, an (at that time) older than me erotic photographer of young men whose ad I found in the back of a contact magazine. I had just gotten back from Greece with De Ateliers on a residency trip and because of the weather difference I had a very heavy red rash on the insides of my thighs. Luckily on black and white film this does not really show up. I had wanted to make this wallpaper in 1997 for my first exhibit ever at Stedelijk Museum Bureau Amsterdam but one of the curators, Martijn van Nieuwenhuyzen (a gay man himself) advised 23 year old me against it, saying I would become known as the ‘guy with the erect penis’. Carolee Schneemann told me never to be ashamed of pleasure and how the body shows it. So I was confused, but listened to him and then in 2007, ten years later, at a solo exhibit in Munich at Lothringer 13, finally had the opportunity to have the wallpaper made. I had tried to become a gay porno model, but only half-heartedly. I went back to Rudy later to ask for the negatives which he gave me, we also had sex a few times at some point. It’s one of the first times I realized that much older men were attractive to me…There were 8 strips of wallpaper and they were never glued, they exist as unique objects. I have to add and I don’t really like to, it gives me no great pleasure, that part of the idea of the wallpaper came from Andy Warhol’s Cow series of wallpaper and other series of his. But there could have been other influences this was not an exclusive influence.” – SMW.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01481-2020-DoP-ProcessEvent#1VALUE01
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01482-2020-DoP-ProcessEvent#1VALUE02
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01483-2020-DoP-ProcessEvent#1VALUE03
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01484-2020-DoP-ProcessEvent#1VALUE04
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

Close



Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01485-2020-DoP-ProcessEvent#1VALUE05
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.


  • Reflection Notes

SMW & AC inventorying session – 08.10.20. “Part of the reason I’m not more confident is because I don’t have money. If I knew anything in this room had economic value… Tracy Emin has a waiting list. Imagine.” – SMW. “I think I would hate them [the buyers].” – AC.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01486-2020-DoP-ProcessEvent#1VALUE06
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.


  • Reflection Notes

Inventorying session + invited archivist (IA) meeting – 15.09.20. “How archives create value, trash, and trashy but valuable.” – MH.

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Image of Studio object

Photographer: Silvia Ulloa Márquez

  • Catalog No.
  • 01487-2020-DoP-ProcessEvent#1VALUE07
  • Title
  • Process Event #1: VALUE. What is trash? What is trashy but valuable?
  • Dimensions
  • Variable
  • Materials
  • Digital image file
  • Object Location
  • Digital

  • Technical Notes

In the opening process event of Murray-Wassink’s year-long guest residency at the Rijksakademie, the artist and collaborators (Amalia Calderón, Megan Hoetger, Radna Rumping) took stock of the artist’s oeuvre with guest Vivian van Saaze (Associate Professor of Conservation and Museum Studies at Maastricht University). Conversation focused on the tensions between productive and reproductive value in art objects, and the status of the art object in ‘the archive’. Friday 6 March 2020, 18.30-20.30hr, Rijksakademie van beeldende kunsten, Sarphatistraat 470, 1018 GW Amsterdam, The Netherlands.

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