Series of self-portraits taken with camera timer by SMW in his studio one day while trying to emulate something between Hannah Wilke’s performalist self-portraits and fashion photography. Just look sexy... – MH
Listings connecting to the grouping of work “Identity Shots: Before Robin, After Hannah Wilke” (61)
01196-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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01228-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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01175-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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01207-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
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01186-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01218-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Email exchange – 16.11.20. “The early to mid-90s 1993 1994 1995 are crucial and formative, and then the years when I took up painting as a structural challenge to the world: 2009 and 2010 and 2011.” – SMW.
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01197-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
SMW & AC inventorying session – 08.10.20. “I was a bit ashamed of having a full scholarship because they told me I was not a good realist painter […] I’ve always been shy about anything that I have, be it intellect or whatever […] Gender-fuck […] The computer remembered, as they do.” – SMW.
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01229-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01176-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01208-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01187-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01219-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01198-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
Close
01230-2015…
Photographs
Photo-object
Hannah Wilke
c. 2015
Image of Studio object
Two of these flips books were made at HEMA. One given to Frederikke Hansen and the other is with SMW.
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01177-1995…
Photographs
Performalist…
Hannah Wilke
1995
Image of Studio object
Edition of 60 performalist self-portraits self-shot with a timer by the artist and archivally stored with floral silk textile.
GSA meeting – 03.11.20. “The trick to caressing the ninox.” – AC. […] “Favourite art years. What we are doing and what we’ve done is some kind of organic magic.” – SMW.
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